Showing posts with label Alejandro Escovedo. Show all posts
Showing posts with label Alejandro Escovedo. Show all posts

Monday, May 19, 2014

Off-the-Grid Entertainment: Alejandro Escovedo's SF house concert and All Terrain Theater's Women in Solodarity showcase

It wasn't that big of a surprise to see last week's East Bay Express feature a story about  'Living Room Stages' on its front page. The rise in private, alternative performance spaces is a phenomena we're well acquainted with and greatly applaud, both as performers and audience members. Some of my favorite shows this year have been at non-traditional spaces (Treebones, Self & Soul Center, The Monkey House) and two of the three performances I saw this past weekend were in alternative spaces. Friday night was all about an Alejandro Escovedo (!)  house concert in SF, while Sunday afternoon was occupied with All Terrain Theater's annual showcase 'Women in Solodarity,' likewise in a private Berkeley space.
The audio experience in each was pristine and the audience well-mannered and intimate — folks mingled pre-show and during intermission and listened attentively during the show. In other words, the experience was completely about connecting to the artist and the work and the community.
I felt extremely privileged to get to see and hear Escovedo with about 75 other avid listeners at the KC Turner presented show. KC is a tireless house-concert producer (and music presenter in general) and the Escovedo show was a real coup. In a revelatory hour-and-a-half of music, Escovedo sang a selection of his songs representing the breadth of his career, from 5 Hearts Breaking to Chelsea Hotel to San Antonio Rain to Sabor a Mi.  In between, he discussed the genesis for each song as well as his early days in punk rock, his family's move from Texas to California, his evolution as songwriter, and touring, going on the road "with $50, a roasted chicken and a bag of weed." The audience, needless to say, hung on every word.
Escovedo himself is new to the small, solo house show experience but said he enjoyed the relative ease (no band and extensive gear to worry about) and planned on doing more.  Lucky us!
While I've seen plenty of musical house concerts, I'd yet to see a professional play in a private residence until Sunday. A friend, playwright Elizabeth Flanigan, had a short in this year's All Terrain Theater's showcase, the theme of which was "Digital Love."  All Terrain "specializes in presenting theater in non-traditional spaces, including a baby store, residences, laundromats, a record store, and traditional theaters" and Sunday's juxtaposition of venue setting and theater subject was noteworthy in itself. The show's venue was a converted downstairs in a private Central Berkeley home, while the showcase's theme called for seven different solo shorts depicting scenes about our often conflicted relationship with technology and the Internet. The playwrights covered a lot of online terrain: a woman addicted to her iPhone, another mulling the knowledge of Google, troubling aspects of surveillance, the damage done by drones and the convenience and pitfalls of online dating. Well-written and well-acted, I left both wanting to unplug that much more often and go to more theater.

Saturday, March 17, 2012

SXSW: Class acts

We went in more for the tried and true — Chuck Prophet, Peter Case, Alabama Shakes, Barbara Lynn & Alejandro Escovedo & His Orchestra — rather than the shiny and new acts in listening department yesterday. Chuck Prophet is completely on, rocking the Ginger Man Pub's crowded back patio with songs from his new CD "Temple Beautiful" before going on to play about a half dozen more gigs around Austin. I knew a couple of Case's tunes  but went more on the recommendation of friends and was reminded upon entering the packed club that he was in The Plimsouls. You know "A million miles away...." The sheer density of music happening on 6th street gets a little too oppressive for my tastes and once again, we found our way back to Austin's South Congress District. Austin's eminence grise,  and one of my favorite musicians,  Alejandro Escovedo would be performing with his orchestra to close out the evening at SX San Jose and he had two amazing 'openers.' Alabama Shakes are a newish band with old souls and major pipes. And while they are just debuting their first CD in April, but they've been riding high on the success of a single "Hold On" and it was another crowded if satisfying listening experience. But the next act, unexpected to me, was the real highlight of the day. R&B pioneer Barbara Lynn has been playing music longer than I've been alive. She's had her tunes covered by The Rolling Stones, toured with B.B. King, and is one of the best female lead guitarists I've ever seen play. Finally, Alejandro came out to his overjoyed hometown crowd, performing a hard-driving set which included a couple slower songs including a gorgeous new song "San Antonio Rain," co-written with... Chuck Prophet! And how can you not love a guy whose encore is "Rock the Casbah"? It was a great day of music. Some scenes from Austin, March 16, 2012:


Texas music royalty:the amazing Barbara Lynn tears it up



Chuck Prophet &The Mission Express play to a packed patio