Showing posts with label Berkeley. Show all posts
Showing posts with label Berkeley. Show all posts

Friday, April 27, 2018

Bay Station's Other Desert Cities Record Releases Today

A new record with Bay Station
While I'm more a periodic than routine co-writer, I love collaborating and making something that simply wouldn't exist otherwise. While we started co-writing as part of a challenge, Kwame Copeland and I have since made it an annual undertaking, resulting in a bunch of songs and the Americana band Bay Station. For the past several years, we've spent a lot of time in Joshua Tree writing together, and two years ago, we ended our cross-country tour there...and began a new batch of tunes. When it was time to record the keepers, we decided to record the songs near their source, took the band to Gatos Trail Studio outside of Joshua Tree and recorded the basics (We also played a gig and took a sound bath at The Integratron while we were at it!). Over the next months, we completed the 10 tracks at Lost Monkey Studio in Hayward. We’re pleased with how all those good vibrations added up, and, almost exactly a year after starting the record, we're excited to release Other Deserts Cities this coming Sunday, April 29 at The Starry Plough in Berkeley. It’s a double record-release show with our Bay Station bandmate Steve Waters. If you're in the Bay Area this weekend, please join us!


Wiggle!


Friday, September 30, 2016

Beauty Everywhere Record Release Show at The Back Room in Berkeley

I'm very excited to write that the release show for Beauty Everywhere is only two weeks away! Please don't miss this show! I'm playing with a superb band — Art Khu on piano, Mike Stevens on drums, Ben Bernstein on bass and Kwame Copeland on acoustic guitar/backing vocals. I'm sharing the bill with a fabulous songwriter and guitarist, Melissa Phillips and James DePrato;  and we're playing new music near and dear to my heart. Plus The Back Room is a cool, cozy all-ages venue (it has a grand piano and couches). Tickets are $15 and are available at the door. If you haven't done so already, please mark your calendars for October 14, and reserve your seat in advance by clicking HERE. I'll look forward to seeing you there. It's going to be a great night.
Love and gratitude, Deborah

Tuesday, June 7, 2016

Thursday June 9: A Night of Americana at The Ivy Room




This week's fun: Thursday, June 9 at the Ivy Room in Albany, Bay Station shares a with Kate Burkart and Nate Jones & The Sloe Sippers, it's going to be a fine night. Three bands, $7, good vibes; hope to see you there!

Thursday, June 9th, 2016

Bay Station (full band) at The Ivy Room

with Nate Jones & The Slow Sippers, Kate Burkart Band

858 San Pablo Ave
Albany, CA 94706
510-524-9299
 Show starts at 8pm;  Price: $7. Bay Station plays at 10:30
 



Monday, October 19, 2015

Indie Rock, Twang & Twilight: October 24 at The Starry Plough Berkeley, w/ Laura Benitez & the Heartache

Two female-fronted acts take the stage on this autumn evening, sharing original songs of love, life, and the pursuit of damn good whiskey.
 

Laura Benitez and the Heartache use the three chord tools of country music to tell the simple, unvarnished truth about love, too much whiskey, and the call of the road. Their songs range from honky-tonk shuffles to rock 'n' roll numbers to sweet old time waltzes, and cover everything from unwed motherhood ("Me or the Baby") to mean drunks ("Don't Wake the Devil"), with a whole lot of heartbreak in between. Their twangy honesty shines through in straightforward arrangements, crystalline harmonies, and spare instrumentation. Beware their catchy hooks and sweet melodies - these stray puppy tunes will follow you home and become your most steadfast companions. www.laurabenitezandtheheartache.com

California songwriter Deborah Crooks' lyric driven and soul-wise music draws on folk, rock, and Americana and is often compared to Lucinda Williams and The Cowboy Junkies. Her music ventures into everything from funk and reggae to rock and blues, reflecting her expansive and eclectic tastes, a sound which has evolved over her years studying writing and poetics at The Naropa Institute, voice with Chloe Goodchild and Mysore V. Amba Prasad (India), and cowriting and collaborating with her Bay Area peers. She’s released three CDs and several EPs of critically noted original music, including 2015’s Something Special, which reflects both her California Roots and global peregrinations. “Quite simply smart and engaging music." — RockWired Magazine www.deborahcrooks.com

Monday, April 20, 2015

Read.Eat.Listen: Iterations

I grew up on a wooded hill so I'm always jonesing a little for a nature hike. Getting outside is generally the most reliable head clearer. These days, living in Alameda, the San Francisco Bay is both the backyard and the nature escape. And with no hills to climb, that means heading for either the beach or on the water.  On Friday, we took off for a long-planned overnight sail to Paradise Bay, a lovely anchorage on the east side of Tiburon. We'd sailed there more than a year ago and I had memories of a smooth sail, warm air and gentle anchorage, suitable for a little yoga on the deck and napping in the sun. Anticipating a similarly idyllic two days, I dressed in shorts, brought my iPad writing set-up, and we added the mandolin to the on board instrument inventory. However, though the weather was warm and clear when we set out on Friday, the water soon became choppy and rough. Out came the long pants and foulies.
It should be noted here that while I'm a pretty experienced outdoors person,  I'm really a fair weather sailor. Suddenly, I was feeling nauseous.  Fortunately my captain is more than capable, and ably navigated the rough patch while I worked on steadying myself. 
I was reminded how easily the mind gets attached to an idea of how things should be like they were before. Hah! Paradise, it turns out, like everything, is changeable.  The upside of the strong wind and current was arriving at Paradise Bay in record time, albeit amid high winds, cool air and a half-hidden sun.
Once I got over partially cloudy and cool weather, I embraced our actual circumstance. There's something so soothing about sleeping on water. And waking to coyotes howling through the morning fog and loons paddling on the calm morning water isn't bad either.
Read: The Folded Clock, by Heidi Julavits, is a diary, but it's nonlinear. Comprised of two years of highly literate entries, each started with "Today, I..." Julavits mines insights about her everyday motivations and encounters with bracing candor, about herself, her strength and shortcomings, creating a new order of experience.
Eat: A friend handed me some scissors and directed me into her garden recently to harvest some of the many fava beans she'd grown. I shelled them for salad and for pasta and proceeded to see fava's everywhere, on menus and grocery bins. Fava beans,  are something I would have hated as a kid and now find beautiful. Large and green and kidney shaped, I like them as much for their aesthetic as their flavor. This Fava Bean and Pecorino dish is simple and pretty.
Listen: I've been fortunate to hear a lot of great live music lately a while reviewing shows for No Depression. Someone I'm looking forward to seeing play there next month is Steve Poltz. I'm not sure any video can capture how mind-blowing Poltz is live — he's as much performance artist, comedian,  faith healer and spirit channeler as songwriter/guitarist — but this will have to do until you see him. Poltz tours a lot. (Bay Area heads up: He's in Berkeley in May and in SF in July.) Check him out.

Monday, February 23, 2015

Happy Women Blues: A Tribute to the Music of Lucinda Williams March 6, 2015 @The Starry Plough


Lucinda Williams has released 12 albums over her storied, Grammy-award winning music career. I've been a fan a long time and when I saw her play live most recently at the Hardly Strictly Bluegrass Fest in October, I was once again struck by how deep and wide and GREAT a song catalog she has.  Plus she absolutely rocks. A tribute show to her work seemed in order. Our pals at The Starry Plough agreed, and I'm pleased to announce the date for Happy Women Blues: A Tribute to the Music of Lucinda Williams approaches! Please join us,  March 6 in Berkeley as six local Bay Area acts perform songs spanning Lucinda's brilliant, 35+ year songwriting career.

Happy Women Blues: A Tribute to the Music of Lucinda Williams 

 The Starry Plough, 3101 Shattuck Ave, Berkeley, CA  Friday March 6, 2015 at the Starry Plough. Doors at 8pm / Show 9pm. Featuring:  Briget BoyleDeborah Crooks • essence •  Kate Burkart •  Keller SistersSecret Town

Wednesday, February 11, 2015

Heartbreak Hell in Berkeley: Celebrate Valentine's Day with Sad Songs & Soothsaying

Looking for Valentine's Day plans? May I suggest Heartbreak Hell @ The Monkey House this Saturday, February 14, in Berkeley. Sad songs about love, loss & all manner of things that make a heart crack
A benefit for BASCIA: Bay Area Suicide and Crisis Intervention Alliance Doors 7, show 7:30-10. Event will end at 11.  

Thursday, September 25, 2014

Artist Interview: Oakland Musician Blood & Dust


Blood & Dust, aka Oakland-based artist Doug Tiemann, first came to my attention through the Balanced Breakfast East Bay music meet-ups. A hard-working and well-respected artist, the Midwest native has been tearing up the Bay Area circuit, garnering raves for his brand of acoustic soul. Leading up to our shared gig at The Monkey House in Berkeley this Saturday, September 27, Blood & Dust kindly answered my questions about his musical path.
 
 Q: How did you first start singing and writing songs?
BD: I actually started writing songs pretty late in the game.  I spent many years playing drums and percussion and picked up the guitar in college.  It wasn't until grad school that I got the gumption to write a song.  Life had changed a lot and I had my first quarter life crisis, so I decided to write about it.
Q:  Who were some of your earliest influences?
BD: I have an interesting mix of influences.  My father grew up in the 50's and 60's so naturally there is a lot of early rock n' roll and Motown in my influences.  I still draw a lot of inspiration from early soul singers like Al Green, Marvin Gaye, and Otis Redding.   My mother brought to the table a lot of songwriters from the 60's and 70's like Simon & Garfunkel and John Prine.  I can't help but acknowledge these influences mix in the way that I approach my singing and writing. Today I find a lot of inspiration from songwriters like David Ramirez and Amos Lee among many others.

Q: Blood and Dust. Great name. What led to it?
BD: Blood & Dust came out of needing a name.  Doug Tiemann isn't a bad name, but it's not a great stage name either.  It pretentious to me to change my name to something cool so I thought that I would choose a name that could work whether I was playing solo or if I had a whole band behind me.  I wanted something gritty and earthy, something that when you heard my music, it made sense with the name.  Blood & Dust was where I landed, I figured that it's either a great name for an Americana band or perhaps some sort of death metal band.  It seemed to make sense to me so there I landed.

Q  What/who led you to California? Can you say anything in respect to how the Bay Area music scene is influencing you in contrast to/or similarly to your experience as a musician in the Midwest and South?
BD: I originally came to bay area to attend graduate school.  I'm a Midwest boy, so you can imagine that the Bay Area changed my life a bit.  I even moved away for a short while but I couldn't stand NOT to live here so I moved back. The Bay Area has been a huge part of my influence as a songwriter.  I've been a musician in the south and the Midwest and while there are definitely scenes, the Bay Area music community inspired me to write, to build community, and to try to be part of something bigger than myself.  While every music scene is competitive, the Bay Area scene has a sense of camaraderie that, I believe, has allowed me to pursue music and grow in my craft.

Q4: What are you working on now? Any new projects or recordings shaping up?
BD:  I've been working on a new block of songs since my first album.  Sophomore albums are definitely a challenge across the board, but I'm excited to explore new sounds. My first album ended up sounding a little more like a rock album, but I'm excited about the using roots instruments and what that will bring to the mix.  Revisiting old songs with new instrumentation has been really refreshing as well.

Q: You host a music series—what's it like for you being on the other side of putting on a show? Any rewards, pitfalls, or recommendations to share with us? 
BD: I was doing a concert series called "An Evening in DogTown."  While it's currently on hiatus, the experience there has been invaluable to me.  I think what made our concert series so valuable to those who participated was that we kept our focus on the most important thing: the music and the people making it.  When you abandon that for just trying to get people in the door you lose something.  I would say that there are too many venues that are only concerned about making a quick buck.  It's a business, and to be successful money has to be made, but you have to care about the product you put out.  I think this is why so many of my fellow Bay Area musicians are seeking out more house show gigs.  I would encourage anyone that wants to pursue putting on house shows to clearly define their reasons for doing so — that's a good start. 
Blood & Dust appears live at The Monkey House Theater in Berkeley, Saturday, September 27, 2014 7:30pm. Tickets & more information: http://monkeyhousetheater.com/ 

Friday, September 12, 2014

KCDC CD Release 9/14 @ The Starry Plough

Yes, the KCDC CD release show is this weekend, Sunday September 14, 2014, 4-7pm, at The Starry Plough in Berkeley. We'll be sharing the bill with Seattle's wonderful Joy Mills and Tom Parker who will kick things off at 4pm. KCDC goes on at 5:30pm and play til around 7pm. We'll have the new CDs, as well as cool hand-printed shirts by Kate Fire, and I'm even playing an electric guitar! Please join us! It's free, all-ages and everyone is welcome. 

KCDC (CD Release) & Seattle's Joy Mills & Tom Parker @ The Starry Plough, Sunday, September14, 2014 4-7pm   Facebook Like Button

Joy Mills & Tom Parker Following the release of their balladeering and soulful country album, Trick of the Eye, The Joy Mills Band brought forth their 2nd full-length record, Cat & Mouse, in May of this year, exploring a well-grooved blend of roots, rock ‘n’ roll, folk and country. They'll be touring as an acoustic trio, with guest Julian Martlew on Dobro.
http://www.joymills.com/
KCDC Born of a songwriting challenge, KCDC's debut recording "Your Own Reaction" finds Deborah Crooks and Kwame Copeland displaying their literary, post-punk and twang tendencies on 10 new tunes. "KCDC's debut CD "Your Own Reaction" is a guitar-driven batch of California-made roots music played by a veteran group of musicians who appreciate a good riff and an infectious beat. It's meant for listeners who love real instruments and authentic writing; listeners who are seeking out truth and beauty in their lives and think this world deserves the best they've got." KCDC will perform at The Starry Plough as a full band featuring Crooks, Copeland, Waters and Andrew Gibson (bass) and Whitney Jacobson (drums).
https://soundcloud.com/kcdcmusic
Rootstime Review
KCDC received some review love from my friends at Rootstime, a music magazine in Belgium. Nice words for the project included: "That the two musicians can create excellent songs is [not only] proved in abundance through songs like the ballads "Jesus And The Jed," "Gone Missing," "Oh Oh" and "Love Some More," but also by the uptempo charged and handsome guitar riffs on songs such as "Put Away the Year," "Sweep Out the Dust," "What To Say (Come Here)" and the album title track "Your Own Reaction." ...we'd love to hear more quality music from this duo on record."
LISTEN TO 'What to Say (Come Here)" from the new KCDC CD (click link or view in browser if player doesn't appear)


Wednesday, September 3, 2014

Guitar talk: Desio Guitars & The Secret Identities

Last week,  I was privileged to take part in a night of guitars at The Monkey House with a dozen or so other Desio guitar owners. For the past several years now,  local luthier Mario Desio has quietly been building custom guitars for a lucky group of musicians. It was a real treat to see and hear a bunch of these artist-owners discuss and play their very special no-two-alike acoustics. From my little parlor model to baritones and everything in between, it was an inspiring display of artistry and commitment on many levels. Yay Mario!
Mario of course, was a guitar player long before he became a guitar maker, and he'll put aside his luthier orders Friday, September 5, to perform at the CD release for his band The Secret Identities at the Starry Plough. More good music — The Secret Identities are sharing the bill with Shelley Doty X-tet (Shelley's a great guitarist & gifted performer) — and another chance to see Desio guitars in action.

FRIDAY:: September 5th - The Secret Identities (CD Release) with Shelley Doty X-Tet  @ The Starry Plough, 3101 Shattuck Ave, Berkeley, CA http://www.thestarryplough.com



Sunday, August 31, 2014

Calendar Check: September 14 KCDC CD Release @ The Starry Plough

I'm feeling jazzed: September is shaping up to be one of harvest in these parts as KCDC releases its debut CD and I play a slew of shows around the Bay Area in a variety of configurations (solo, duo, trio, full band!).
The big show of the month is the Your Own Reaction CD release on September 14, 2014 at The Starry Plough in Berkeley. Please come help celebrate this new recording, my collaborative, somewhat rock 'n roll project with Kwame Copeland. We had a great time putting these songs together, and are eager to share them with you. For the live show, we've bolstered the band with Steve Waters on guitar, Andrew Gibson on bass and Whitney Jacobson on drums to play songs from the new CD (in addition to previews of new KCDC songs and material from our respective catalogs). Plus we're sharing the show with Seattle's very cool alt-country/roots act Joy Mills & Tom Parker. I believe this show will be a hoot: It's free, all-ages, and early (4-7pm), the Starry Plough is an extremely convivial place to hear music and we'll have the new CDs (and other merch) available for you to take-home. All the details (as well as a preview of another KCDC tune 'What to Say') follow!

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LISTEN TO 'What to Say (Come Here)" from the new KCDC CD (click link or view in browser if player doesn't appear)

Monday, June 9, 2014

Studio Ink: On handwriting and open studios

photo by by Martin_Heigan
"Under the trees light
has dropped from the top of the sky,
light
like a green
latticework of branches,
shining
on every leaf,
drifting down like clean
white sand.

A cicada sends
its sawing song
high into the empty air.

The world is
a glass overflowing
with water." 

 — Pablo Neruda

There was a widely circulated article in the New York Times last week "What's Lost as Handwriting Fades" concerning educational development  and handwriting. In this digital age, handwriting is barely taught past first grade and researchers are finding there are consequences to creativity and memory retention. This doesn't surprise me: when I need to memorize something, I often write it out first...and then work on writing it out from memory. I also note that when I initiate writing something by hand it has a different quality, is more immediate and authentic somehow.
Neruda, as sensitive a human being and poet as they come, held a similar mind on the power of handwriting, choosing longhand over the typewriter:

"Ever since I had an accident in which I broke a finger and couldn’t use the typewriter for a few months, I have followed the custom of my youth and gone back to writing by hand. I discovered when my finger was better and I could type again that my poetry when written by hand was more sensitive; its plastic forms could change more easily. In an interview, Robert Graves says that in order to think one should have as little as possible around that is not handmade. He could have added that poetry ought to be written by hand. The typewriter separated me from a deeper intimacy with poetry, and my hand brought me closer to that intimacy again." —Pablo Neruda, The Art of Poetry No. 14, in The Paris Review
 
No surprise that Neruda thought about handwriting down to the color of his ink. Amid his epic, prolific and influential life, he often chose to write in green ink, "his personal symbol for desire and hope" and call for abundance.
The glass overflowing world makes for busy weekends around here. Amid it all, I noticed a slew of artist Open Studios signs all over the East Bay. Open Studios always remind me how much art is being made all the time. This year 400 East Bay art studios are throwing their doors open for two weekends of art share. Check out this map of possibility HERE.
Studios are some of my favorite places to be, be they visual art, music or yoga related, and I'm in at least one each day. This weekend we were in the music studio again, finishing mixes on the KCDC project. More to share on that in a bit. In the meantime, here's a Neruda-inspired tune by Brazilian Girls:

Thursday, May 22, 2014

I ♥ The East Bay Postcard

photo by Howard Ignatius
The more I get to know it and live here, I really do  The East Bay. AOakland is having a renaissance, with new venues downtown, new restaurants, and a general sense of 'yeah!'  
Out and about last weekend, we happened on some new favorites:
Easy Creole: We noticed Easy, a Creole food place on Alcatraz near MLK, after a vintage shopping expedition to Empress Vintage. Easy boasts a NOLA inspired menu of soups, stews and chiles, catering equally to vegans, vegetarians and meat eaters. Everything comes with rice, the cornbread is GF and the row of community tables amply supplied with hot sauces of every stripe. Good grub, big portions, affordable, hip vibe...easy. Empress Vintage is  small but carefully curated collection of 50s, 60s, 70s, 80s dresses, skirts, shirts and pants for men and women. Plus jewelry a few fun items from Homestead Apothecary, an oasis of herbal medicine, botanical inspired art, class and more in the uber hip Temescal Alley.
And if you feel like celebrating the East Bay, you might check out the Eastlake Music Festival this weekend at the revamped Lake Merritt Blvd Ampitheater. All day, all ages, free. Check out the lineup HERE.

Monday, May 19, 2014

Off-the-Grid Entertainment: Alejandro Escovedo's SF house concert and All Terrain Theater's Women in Solodarity showcase

It wasn't that big of a surprise to see last week's East Bay Express feature a story about  'Living Room Stages' on its front page. The rise in private, alternative performance spaces is a phenomena we're well acquainted with and greatly applaud, both as performers and audience members. Some of my favorite shows this year have been at non-traditional spaces (Treebones, Self & Soul Center, The Monkey House) and two of the three performances I saw this past weekend were in alternative spaces. Friday night was all about an Alejandro Escovedo (!)  house concert in SF, while Sunday afternoon was occupied with All Terrain Theater's annual showcase 'Women in Solodarity,' likewise in a private Berkeley space.
The audio experience in each was pristine and the audience well-mannered and intimate — folks mingled pre-show and during intermission and listened attentively during the show. In other words, the experience was completely about connecting to the artist and the work and the community.
I felt extremely privileged to get to see and hear Escovedo with about 75 other avid listeners at the KC Turner presented show. KC is a tireless house-concert producer (and music presenter in general) and the Escovedo show was a real coup. In a revelatory hour-and-a-half of music, Escovedo sang a selection of his songs representing the breadth of his career, from 5 Hearts Breaking to Chelsea Hotel to San Antonio Rain to Sabor a Mi.  In between, he discussed the genesis for each song as well as his early days in punk rock, his family's move from Texas to California, his evolution as songwriter, and touring, going on the road "with $50, a roasted chicken and a bag of weed." The audience, needless to say, hung on every word.
Escovedo himself is new to the small, solo house show experience but said he enjoyed the relative ease (no band and extensive gear to worry about) and planned on doing more.  Lucky us!
While I've seen plenty of musical house concerts, I'd yet to see a professional play in a private residence until Sunday. A friend, playwright Elizabeth Flanigan, had a short in this year's All Terrain Theater's showcase, the theme of which was "Digital Love."  All Terrain "specializes in presenting theater in non-traditional spaces, including a baby store, residences, laundromats, a record store, and traditional theaters" and Sunday's juxtaposition of venue setting and theater subject was noteworthy in itself. The show's venue was a converted downstairs in a private Central Berkeley home, while the showcase's theme called for seven different solo shorts depicting scenes about our often conflicted relationship with technology and the Internet. The playwrights covered a lot of online terrain: a woman addicted to her iPhone, another mulling the knowledge of Google, troubling aspects of surveillance, the damage done by drones and the convenience and pitfalls of online dating. Well-written and well-acted, I left both wanting to unplug that much more often and go to more theater.

Wednesday, April 23, 2014

Earth Day is Every Day

 I didn't plan for Earth Day 2014 and my mammogram to go hand-in-hand. In fact, I didn't put the two events together until I was sitting in the "butterfly room" of the Breast Center, in Oakland, with all the other ladies who'd donned medical-center-issue white robes to wait our turns for our screenings. I appreciated how those who designed the breast health center had made efforts to make the whole visit as pleasant as possible: different rooms are marked with various flowers (I got a lotus), or butterflies, and the sound of bird song comes through the speakers as you wait for your named to be called. And I appreciated those who founded Earth Day to rally more folks around valuing the planet and the environment. But I'm too aware of the fact that butterflies are faced with their own climate-related problems and that mammograms may or may not be that helpful in preventing breast-cancer related deaths. So the transformative symbolism of beautiful creatures used as decor perhaps didn't have the desired effect on me. But the whole experience did jar me into thinking of my friend Samantha, who passed away 6 years ago, at 41 years of age, due to breast cancer.  
Sam and I met as idealistic undergrads at UCSC, majoring in Environmental Studies and adjusting to semi-adult life on and off-campus. While I'd grown up surrounded by nature, Sam was from LA and knew city sidewalks and paved highways better than the dirt trails and redwoods that were my familiar. Slightly jaded about the social scene, Sam was nonetheless completely floored by the natural world she discovered in Santa Cruz, and was wide-eyed and wondrous every time she spotted something new through her binocs. Wildness, the out-of-doors, birds and snakes and butterflies where new to her as a young adult, and her curiosity helped me realize how fortunate I'd been to be raised around trees and wildlife. Likewise, while I helped her identify birds, she showed me how to be comfortable at a party. She was fearless around loved ones and strangers alike. She'd tell you if she thought your boyfriend was no-good, loved elephant seals and Star Wars, Count Basie and the Steaming Hunks of Hot Love Chuncks college band, in equal measure. She ate with gusto, cooked nonchalantly, and would share her lunch anytime I stopped by her apartment on my bike ride up to campus.  On Earth Day circa 1990, you'd likely find her sitting in the great meadow, a butterfly painted on her cheek, watching the crowd, laughing and generally taking it all in. 
Sam knew how to live, and her natural openness toward people and nature went unabated after college... so it was especially cruel when she was diagnosed with breast cancer when at age 39, and crueler still that after a brief period of remission, the disease would come back swiftly and decisively two years after her initial diagnosis. I was grateful I got to say goodbye to her and acknowledge all she meant to me before she died, but like all deaths of loved ones, processing what meaning is to be found is ongoing and episodic.
The fact that she died so young almost hits me harder now, when I realize that she, too, went in for mammograms, on schedule, that all failed to detect what would kill her even as she reported other symptoms to her doctors. My sadness is only amplified by the fact that Earth Day 2014 finds us in a world where the disconnect between cause and affect seems at as great a distance as it was 25 years ago. Yesterday, a woman wished me a 'Happy Earth Day' while holding a styrofoam cup. I was too stunned to say anything. Just like I didn't question my technician as she set me up for my mammogram, at once skeptical and grateful I had insurance to cover the prescribed test.
In reality, taking care of one's health, and focusing on the well-being of the environment is every day.  Life goes on, with or without us, so how to appreciate the moment, this earth, this body, right now?
Tickets can be purchased from the Albany Twin Theater box office (and online) for $10 ($8 for seniors and students) after April 15th.
There will be a screening in Albany next week: Transition Albany & Transition BerkeleyTuesday April 29, 7 pm ARISE Albany Twin Theater, 1115 Solano Avenue, Albanyhttp://arisethemovie.org. Tickets can be purchased from the Albany Twin Theater box office (and online) for $10 ($8 for seniors and students) after April 15th.Check out the trailer here:

Sunday, April 13, 2014

Willie Nelson, Shovels & Rope @ The Greek 4/12/14

I first saw Willie Nelson 10+ years back at Hardly Strictly Bluegrass 3. I wasn't expecting to like him, this favorite of my best friend's mom growing up. Instead,  I stood in the lowering sun amid the gazillion other fans as he walked onstage and greeted the crowd with a sly grin and open arms, and went, 'oh' as my ignorance was elucidated. My husband remembered seeing him play a marathon 3+-hr set from years earlier. "He just kept going...' So when we saw Willie, now 80 years old,  would be playing opening day of Berkeley's Greek Theater we said yeah!
Shovels & Ropes opened the evening on Saturday with a raucous set of their high-energy rock, playing like gleeful children let loose in the instrument room and appreciating every moment of their time on the Greek stage. Cary Ann Hearst has a voice like Dolly Parton's wayward niece, matched nearly word-for-word by her husband Michael Trent's harmony vocal, each playing guitar, drums, harmonica and a synth bass and singing lead as the song dictated. They lit a fire under the crowd and it wasn't even dark yet, and their song 'Birmingham' has been in my head ever since. 'rock of ages....'
I'd never seen the next 'opening' act, Drive By Truckers playing as a 5-piece....and was completely underwhelmed.
 Fortunately, everyone was keeping to the schedule and Willie came on soon enough, starting with what seemed to be one big medley of every great song you forget you know — Crazy and Blue Eyes Crying in the Rain and Always on My Mind. It didn't feel like a country music concert rather than a performance of the revised edition of the Great American Songbook by one of the Great American Songwriters of our time. Jeepers. And like a large engine, Willie just ran smoother and hotter as the set progressed, playing several instrumentals to better display his guitar prowess, singing a few new songs amid his well-burnished hits,  his voice undiminished by time, laughing and tossing bandannas and hats to the crowd and generally making a good case for playing music and doing what you love to stay happy and healthy.

Wednesday, February 26, 2014

Monkey's Return: Deborah Crooks & Band March 7 in Berkeley





I've rallied the band to return to what's quickly become one of the best places in the East Bay to hear live acoustic music, The Monkey House! Please join me for an evening highlighting material from my latest CD "Little Bird" plus some brand new tunes.

The GREAT songwriter, and Monkey House ringleader, Ira Marlow will also perform a set of his excellent material. http://www.iramarlowe.com/

The Monkey House is an intimate art space offering
high-quality concerts with an old Vaudeville vibe
and unusually fine acoustics. (this photo by Monica Pasqual is from the Valentine's show @ The Monkey House, 2/14/14)
Doors 7:30pm, show at 8pm. $10-20 suggested.

 The Monkey House is a private residence on University Ave, three blocks from North Berkeley BART. RESERVE A SEAT TO LEARN the ADDRESS:
reservations@themonkeyhouse.org
Facebook Invite

Easy parking. BYOB 

Saturday, February 8, 2014

Heartbreak Hell in Berkeley


Valentine's Day has always felt a bit like a setup, a lot of pressure whether one is in or out of a relationship.  So I was delighted when songwriter Ira Marlowe put together a night of sad songs by other local troubadours to commemorate this pseudo holiday now associated with romantic love. Plus it's a benefit for Bay Area suicide prevention efforts.
Come take a listen. You'll laugh, you'll cry, you may or may not eat too much chocolate...and you're always welcome to bring flowers:
HEARTBREAK HELL @ The Monkey House,
February 14, 2014 7pm Berkeley, CA
with music by Ari Fellows-Mannion, Donna Lou Stevens, Jhene Canody, Kwame Copeland, Deborah Crooks, Monica Pasqual, Caylia Chaiken, Paul Griffiths, Ira Marlowe, Dawn Oberg and Mokai.

Friday, October 11, 2013

Artist Interview: Ira Marlowe and the Mortimus Greely Haunting School


East Bay songwriter Ira Marlowe is one of the more prolific of the Bay Area's creative geniuses.  Writing songs for both adults (Save The Day) and children (The Chills: Creepy Songs for Courageous Kids, The Teasing Bird), he's won oodles of awards (SF Weekly's "Best of the Bay" song contest, the Napa Valley Music Festival) and garnered the praise of the press. Plus he runs one of the best local places to hear original songwriters, The Monkey House. Now, he's bringing us Mortimus Greely's Haunting School, a multi-media event featuring songs, games, interactive video, a 'calcium-rich anatomy lesson' and more. If you want to elevate this Halloween above pumpkin carving and candy corn get yourself to The Monkey House, starting this weekend, Oct. 12, 2013, when the show opens. 
While Ira is likely (hopefully?) writing a book on how to keep one's muse productive, he did share a little information about what led to his latest project. 
Q: Who or what inspired the Haunting School?
IM:  Oddly enough it was inspired by a spooky kids song I wrote with that title.  In the song, kids get to participate by imitating the scary sounds I make.  It was always such a hit that I thought it could be the template for a whole multimedia stage show.

Q: Tell us about Mortimus Greely.
IM: Mortimus is an erudite old ghoul, very refined and a touch British,  He's appalled that kids today spend so much time playing video games and he's here to teach them the finer points of the "dark dimension" he inhabits.  He has a bit of a sad story, which he reveals in the end.

Q You write for kids and adults — do you know if its going to be one way or another from the outset? Which leads us to your writing process: Do you sit down with an intended song or song subject in mind, or are you a wait-for-the-muse type?
IM:  With the kids songs, I tend to "write on assignment."  I have two CDs of spooky songs and I will deliberately say, "OK, I need a mummy song."  Or a werewolf song.  Sometimes I look at classic films.  That's where I got "Has Anybody Heard About the Blob?" and "The Boy with Two Heads."  But it's funny, I have more than a few songs that I wrote for kids which I regularly include in my adult shows.  They always go over great. 

Q Who are some of your favorite artists/mentors/heroes, living or ... haunting!? 
IM: Ha! At this point I'd say my role model is Shel Sliverstein, who worked in several different media and wrote both serious and funny stuff, for both adults and kids.  But I always loved any songwriter who wrote colorful, narrative songs that blurred the line between adult and kids music — The Beatles ("The Continuing Adventures of Bungalow Bill", many more...), Paul Simon ("At the Zoo"), even David Bowie, with his early songs like "Kooks."

Mortimus Greely's HAUNTING SCHOOLThis interactive performance involves a roomful of kids, a handful of ghosts, and one ghoulish (yet kindly) instructor, runs about 60 minutes and is best for kids 7-12.  Tickets are only $10 via Brown Paper Tickets:  http://bpt.me/475688  Opening day (10/12) tickets are only $5, but must be purchased at the door to receive this half-price discount.  October 12, 13, 19, 20, 26, 27  Doors 2:45, Show @ 3Halloween show:  Doors 4:45, Show at 5Final show! November 1, 8PM Followed by the Monkey House Halloween Party!!! Reserve your seats at reservations@monkeyhousetheater.com

More about Ira: http://www.iramarlowe.com. Buy Ira's recordings @ The Monkey House or via Cdbaby