Showing posts with label Songwriter. Show all posts
Showing posts with label Songwriter. Show all posts

Friday, March 22, 2019

Saturday, March 23 Record Preview at The Lost Church

When you have the opportunity to do a show with the same great band you are recording new tunes with, you do it! Tomorrow, I’ll return to The Lost Church to play the songs from my in-progress record backed by a powerhouse group: Danny Allen, Mike Stevens and Kevin T White. Consider it a ‘record preview.’ Plus Danny will be playing a set of his own great material.
And today is the last day to get advance tickets to the show for an easy $10 ($15 day of show online & at door)—
Real live music at one of SF’s coolest (& increasingly rare) listening venues. Come on out! 

Saturday, May 12, 2018

Be Your Own Bird & Help Migratory Birds

It's World Migratory Bird Day! Be Your Own Bird AND Help Birds - Buy "Be Your Own Bird"  and I'll donate half the proceeds to bird conservation efforts:
World Migratory Bird Day is an annual, UN-backed global awareness-raising and environmental education campaign focused on migratory birds and the need for international cooperation to conserve them.
"World Migratory Bird Day is celebrated each year to highlight the need for the conservation of migratory birds and their habitats. More than 300 events in more than 60 countries to mark World Migratory Bird Day 2018 (registered on the website) will include bird festivals, education programmes, media events, bird watching trips, presentations, film screenings and a benefit concert to raise funds for international nature conservation. The Convention on Migratory Species (CMS) and the African-Eurasian Migratory Waterbird Agreement (AEWA) — two intergovernmental wildlife treaties administered by UN Environment — organize the campaign in cooperation with Environment for the Americas (EFTA). EFTA works with diverse partners to provide English and Spanish educational materials and information about birds and bird conservation throughout the Americas. Their programmes inspire children and adults to go outdoors, learn about birds, and participate in their conservation. www.worldmigratorybirdday.org/partners"

Thursday, June 29, 2017

Deborah Crooks "Record of a Day" (Pint of Soul Video)

"Record of a Day" by Deborah Crooks
Back in  January, I spent an afternoon shooting a couple videos with  Pint of Soul at Amado's in San Francisco. This live version of"Record of a Day" (from the Beauty Everywhere CD)  features Art Khu on piano, Kwame Copeland on guitar, and Kim Xuan Nguyen on bass. Enjoy!

Thursday, April 13, 2017

New Music from The Welcome Matt: "More Empire Days"


San Francisco's The Welcome Matt is releasing a new album! Check out the video for the first single, the title track "More Empire Days":


Then go get yourself a ticket for his album-release show at Doc's Lab on May 13. 
KC Turner Presents
The Welcome Matt
Special Guests- Guinevere Q / Seth & Erma
Saturday, May 13 - 8pm
at Doc's Lab San Francisco
$15 ADV / All Ages

Tuesday, February 21, 2017

Watch: Deborah Crooks | Brand New Video for "Wishing Tree" - Pint of Soul

Announcing the release of the video for one of my newest songs,"Wishing Tree!" I wrote "Wishing Tree" after coming upon several such trees in the Bay Area (like this one in Port Costa, left). 

"A wish tree is an individual tree, usually distinguished by species, position or appearance, which is used as an object of wishes and offerings. Such trees are identified as possessing a special religious or spiritual value. By tradition, believers make votive offerings in order to gain from that nature spirit, saint or goddess fulfillment of a wish."

"Wishing Tree" is part autobiography and part wish for everyone to breakthrough oppression, be happy and free.
 Shot by Pint of Soul at Amado's in San Francisco in January, the song features Art Khu on piano, Kwame Copeland on dobro, and Kim Xuan Nguyen on bass. Let me know what you think, and please share!




 

Friday, January 20, 2017

Today I mourn, tomorrow I march: "Another Test"

Sad day, this inauguration day. I woke up at 4am to a large thunderclap, a low cloud going over our house crackling lightning and thunder, and then a downpour. It felt ominous, and it's taken half a day for me to snap out of a dark mood. In the meantime, the music has gone on. Bay Station has played a couple of fun shows in the past week, and we just shared a song we wrote in response to Black Lives Matter more than a year ago. Today "Another Test" just feels that much more timely. Today I mourn, tomorrow I march.

Thursday, September 1, 2016

September Songwriter Shows in San Carlos and San Francisco

Two fun songwriter series' to check out in September, at Clock Tower Music and the Bazaar Cafe:
SEPTEMBER 10, 2016 
Jamie Purnell's 2016 Clock Tower Music Series
Clock Tower Music
676 Laurel St
San Carlos, CA 94070
8PM  $10
SEPTEMBER 20, 2016 
Paul Griffiths Songwriter Residency
Bazaar Cafe
5927 California St
San Francisco, CA 94114
7PM  with Paul, Deborah, and Micheal McNevin

Tuesday, September 1, 2015

Something Special EP Official Release

Big thank yous to those who helped me celebrate the release of the Something Special EP a few nights ago at Awaken Cafe in Oakland It was a great night of music and friends, with sterling performances by my billmates, Loretta Lynch and Yours Truly, Michele, and a great band at my back. Capped off with a big ole supermoon sighting at the end of my set, it really did feel like something special. Today is the EP's official release date, and its now available via iTunes, CDBaby and other digital outlets (as well as at my shows.) I invite you to take a listen, leave a review and share with your friends! Much gratitude for your continued support of independent music. 

Something Special (EP) Sept. 1, 2015. By Deborah Crooks, featuring Kwame Copeland (guitars); Andrew Gibson (bass) & Mike Stevens (drums) Recorded, mixed & engineered by Stevens at Lost Monkey Studio; art by Rebecca Stees; design by Alicia Buelow.

Monday, March 30, 2015

Songwriterly Abundance: New Music Here for the Listening

As you can guess from this photo, the Songs from the Fog CD Showcase at Doc's Lab was super fun for we performers. Eight of the 9 featured songwriters performed and I can't say enough about how stellar the folks on this compilation are. Thanks again to the leaders of this latest songwriting expedition, Maurice Tani and Jim Bruno. If you didn't get a Songs From the Fog CD at the show, you can pick one up at any one of our gigs, or write me [deborahrcrooks@gmail.com] for more info.
As you can guess from this photo, the Songs from the Fog CD Showcase at Doc's Lab was super fun for we performers. Eight of the 9 featured songwriters performed and I can't say enough about how stellar the folks on this compilation are. Thanks again to the leaders of this latest songwriting expedition, Maurice Tani and Jim Bruno. If you didn't get a Songs From the Fog CD at the show, you can pick one up at any one of our gigs, or write me [deborahrcrooks@gmail.com] for more info.
As you can guess from this photo, the Songs from the Fog CD Showcase at Doc's Lab was super fun for we performers. Eight of the 9 featured songwriters performed and I can't say enough about how stellar the folks on this compilation are. Thanks again to the leaders of this latest songwriting expedition, Maurice Tani and Jim Bruno. If you didn't get a Songs From the Fog CD at the show, you can pick one up at any one of our gigs, or write me [deborahrcrooks@gmail.com] for more info.
- See more at: http://deborahcrooks.com/blog/songs_from_the_fog_cd_releasebration_recap/#comments
As you can guess from this photo, the Songs from the Fog CD Showcase at Doc's Lab was super fun for we performers. Eight of the 9 featured songwriters performed and I can't say enough about how stellar the folks on this compilation are. Thanks again to the leaders of this latest songwriting expedition, Maurice Tani and Jim Bruno. If you didn't get a Songs From the Fog CD at the show, you can pick one up at any one of our gigs, or write me [deborahrcrooks@gmail.com] for more info.
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- See more at: http://deborahcrooks.com/blog/songs_from_the_fog_cd_releasebration_recap/#sthash.gTmKDJ8P.dpuf
I'm coming off a week of playing shared shows with a bevy of Bay Area and beyond musical talent, and was reminded again of this fact of how much great independent music is available for adventuresome ears. I feel fortunate to know so many artists who are writing and releasing great, interesting music!
As you can guess from this photo, the Songs from the Fog CD Showcase at Doc's Lab was super fun for we performers. Eight of the 9 featured songwriters played and I can't say enough about how stellar the folks on this compilation are. Thanks again to the leaders of this latest songwriting expedition, Maurice Tani and Jim Bruno. If you didn't get a Songs From the Fog CD at the show, you can pick one up at any one of our gigs, or write me [deborahrcrooks@gmail.com] for more info.
Songs from the Fog artists: l to r, Carol Denney, Bruce Kaplan, Claudia Russel, Keller Sisters, Paul Griffiths, Michael Schaffer, Mike Anderson, Deborah Crooks, Kwame Copeland, Maurice Tani, Jim Bruno
Alameda Songwriters Roundup: Ted Nunes, Sara Rodenburg, Della Lupa, Kev Minney, Deborah Crooks, Adrian West


Kwame Copeland & Deborah Crooks
On Saturday, I hosted another Alameda Songwriters Roundup at our neighborhood listening room, High Street Station. I've been organizing these 6-artist shows on a loose, every few months basis, and this one was notable for having three out-of-town guests. UK artists Della Lupa and Kev Minney were in town from Brighton (!) and Ted Nunes joined in from the Central Valley. Minney is a phenon guitarist, Lupa reminded me of a young Kate Bush, and Ted brought great country-western flavors to the mix.  Mark your calendar for another Songwriters Roundup May 29.

Between those two events, another local songwriter friend, Lisa Graciano, invited us to play her monthly Artis Coffee Music Series. This hip Berkeley coffee shop 'live roasts' its coffee and provided a pleasant backdrop for an afternoon set. Live music, live coffee, why not! 

Monday, January 19, 2015

Songwriter Linda McRae Smooths Life's Roughest Edges with Song



Less than a verse into the first song Canadian-born, Nashville-based Linda McRae played at her 2014 FAR-West Showcase performance, my husband and I turned to each other and said 'oh yeah.' Playing a banjo and singing in a strong alto, McRae went on to offer a masterful and stirring set of songs. Songs with a capital S that took one on a sonic journey while steadily cracking open your heart. One, "Rough Edges & Ragged Hearts," the title track to her 2012 Cd, contained one of the best lines I've heard: "living is a dying art." Another song was based on the words of a Folsom Prison inmate she'd met through her involvement in the Arts and Corrections Program at California’s New Folsom Prison. By the end of her set, tears were streaming from our eyes.
As became evident upon further inquiry, McRae wasn't just a stellar artist, she was also a stellar person, both continually creating and giving back. McRae went solo in 1996, after a decade spent with the popular Canadian folk band, Spirit of the West, and has since released five CDs of her own work. Routinely charting in the top-10, performing in festivals throughout North America, she's collaborated, recorded and performed alongside a whose who of roots-based artists including Gurf Morlix, Neko Case and Bruce Cockburn. And the alliance with New Folsom led she and her husband, James Whitmire to start Express Yourself Writing Workshops for other disenfranchised communities in 2011, adding to an already full touring and recording schedule while further fueling her creativity.
Amid a month-long Escape to Create! residency in Florida that she was deservedly rewarded, McRae answered my questions about her work as an artist and teacher and all she'll be up to in 2015.
Q: Tell us about your upcoming year: Are you playing anywhere new? Any key dates or projects you're especially excited about
LM: 2015 is shaping up to be an incredibly exciting year. I’ll be touring all over North America in support of my new recording being released September 15th on my new label Borealis Records. I’m really excited to be working with Borealis. They have been incredibly supportive, and their promotional team was instrumental in my career retrospective, Fifty Shades of Red, hitting some “best of” lists for 2014. It was also # 5 Top Canadian Album on the Folk DJ Charts.
The label is currently working directly with my manager/agent/collaborator and husband (not necessarily in that order) James Whitmire on an October/November North American CD Release tour in support of the new recording. Those dates will be announced in the coming months. I also have a number of festivals I will be performing at this year including Artswells in BC where I will also be teaching a week-long songwriting course. Other festivals include South Country Fair in Alberta where I was made the honorary mayor last year, and a new festival in Ontario called the Kingsville Folk Music Festival. I’ve also just been asked to perform for the first time at Winterfolk in Toronto this Feb. 13-15/2015.
Q: Is this a first-time residency for you at Escape 2 Create? Do you have a 'typical'  writing process? Will you be writing material for the new recording on retreat? 
LM: The bulk of the material has already been written but there will definitely be some additions as a result of my Escape 2 Create residency. I guess my typical writing process usually involves juggling half a dozen things at the same time, i.e. touring, daily household activities, social networking, publicizing my performances, etc. which in itself is a full-time job. It is an incredible luxury for me to have an entire month in which to write new material and I am relishing every second of my time here. 
Escape 2 Create choses twelve interdisciplinary artists though a rigorous juried application process each year, six in January and six in February. Each artist’s private residence is donated by local Seaside, FL, community members and is tailored to each artist’s requirements. This is my first residency and having been chosen to participate has given me a sense of validation. I am also enjoying the fellowship and inspiration I am receiving from my fellow artists and the residents of Seaside. I have already finished four songs in the week I have been here.
Q: How do you know when you're ready to go back into the studio? You've worked with a lot of great producers: whose on deck for this next project? Any new sounds you'll be exploring or would like to? 
LM: I guess I know when I’m ready to go back into the studio when I have at least 15 songs that I feel are really strong. I usually like to record 12-15 and then put 10 or so on the finished release. I feel I have grown as a performing songwriter and each recording I think has illustrated that. Having the added perspective of collaborating with my husband and other co-writers has definitely helped me grow as a songwriter as well. Recording starts right after I finish my residency here. The timing couldn’t be more perfect as I will have plenty of time here to get to know the songs inside and out. I like to have them in my head and under my fingers before I record them. 
I have been fortunate when it comes to working with producers and great musicians. I’ve had wonderful experiences recording with each producer I have worked with, Colin Linden, Gurf Morlix and Marc L’Esperance. Each of them brought something new to the table and I am confident this one will continue in that same vein. 
This time, I’ve decided to work with my old friend, and award-winning producer and guitarist, Steve Dawson. I am really excited to be working with Steve on this project. We started pre-production before I left for my residency and he had some terrific arrangement ideas. We also did some co-writing together, and it just so happens one or two of those co-writes will be on the new CD. 
I’ve become really interested in acoustic blues styles and as he is well-acquainted with the idiom he’s a natural choice. I’m hoping to achieve a raw sound on this recording with real deep grooves you can drive a truck through. For me, it’s all about the groove. If the groove isn’t there you have nothing to build on. Start from the bottom up and away you go. I like to keep things pretty spare as well without a lot of unnecessary frills to clog things up. He’s a master and I know it’s going to be great. 
Q: You're a songwriter and writing facilitator/teacher. Can you discuss how you started Express Yourself Writing Workshops and how teaching/facilitating informs your own work?
LM: The idea for our writing workshop came from our involvement in the Arts and Corrections Program at California’s New Folsom Prison. My husband James and I were there for the first time in the fall of 2011, and we were so moved by the response to our visit that we decided to carry it through further with a focus on disenfranchised members of the communities I perform in. It has turned out to be a life-changing experience. In the past three years since our first visit to Folsom we have worked with approximately 1000 individuals in at-risk youth community facilities and correctional facilities. We have also worked with people in detox centers, veteran’s hospitals, and various adult correctional facilities with both male and female inmates. Our experiences talking and working with everyone involved has definitely had an influence on my writing. My new CD will include songs written as a direct result of some of these experiences, including a song I wrote with a New Folsom inmate who is serving life without parole. His name is Ken Blackburn and he is 73 years old. I think it is one of the best songs I have ever had the opportunity to be part of. Ken wrote the lyric and I wrote the music.
Q:What can listeners and fans expect after March 2015?
LM
: I guess the biggest thing is my new CD coming out. I’ll also be doing some shows with two other wonderful artists in the DC area in May Mary Battiata (Little Pink is her band name) and Karen Collins. Mary and I were at a music camp this summer at the Augusta Heritage society and Karen was one of the instructors there. The name says it all: "Women on the Verge! A Night of Traditional and Alt Country."
You can find all my tour dates, music, epk and workshop information at http://lindamcrae.com

Thursday, January 1, 2015

Happy New Year! Spirit Vibrations Presents Anju’s Pale Blue Eyes, The Silver Threads and Deborah Crooks Band at Bottom of the Hill

Happy 2015! May it be a year that's filled with peace, prosperity, health, joy and wonder for all. Tall order, I know, but I'm putting it out there... along with an invitation to a show on January 7 about which I'm excited, an opening set at Bottom of the Hill in San Francisco.
BoTH is venerable among SF clubs and I'm pretty pleased to bring a full band to its stage. We kick things off at 9pm sharp, in support of two other interesting projects, The Silver Threads and Anju's Pale Blues Eyes. Expect a night of rootsy rock, indie folk and Americana music. Please join us in musically bringing in 2015.
Wednesday January 7, 2015
Spirit Vibrations Presents
Anju’s Pale Blue Eyes
The Silver Threads
Deborah Crooks Band
 at The Bottom of the Hill 1233 17th Street SF
Cost: $8
Doors 8:30pm Show 9:00pm
Ages: 21+

Saturday, November 15, 2014

Artist Interview: Annette Conlon Reclaims Her Voice on 'Life, Death and the Spaces Between'

I've known songwriter Annette Conlon for nearly as long as I've been recording music. The Los Angeles based artist has long been an avid support of other artists as the host of 'Nette Radio, 'one of the longest running radio shows dedicated to promoting women in music.'  She's also hosted many a songwriter showcase over the years and collaborated with her husband in duo The Conlons. But after a harrowing few years of health challenges, Annette is putting her own voice front and center, embarking on a solo project inspired by the events she's weathered, "Life, Death and The Spaces Between." Amidst a crowdfunding campaign to support the project and some unexpected family events, Annette discussed her road to healing and writing her most inspired material.

Q: You've been so active in music, I didn't realize you hadn't recorded your own solo work. How did you know it was time?
Annette Conlon: I fell and hit my head on a trashcan on April 17, 2014. I suffered a pretty severe concussion and during my recovery I started writing. I had written an entire album’s worth of songs between April 17th and Sept 5th; but really by mid-June I knew I wanted to record the songs I has written thus far. These songs felt special to me, and to Doug, and seemed to really connect with people when we played them live.  I told Doug I wanted to record right around my birthday in June. It wasn’t until we were in the studio and recording that we realized this was really my baby. Even though I had written everything, we went in with the intention of recording a “The Conlons” record; however, we realized that wasn’t what it was. Doug is fully supportive of my first full-length solo record, has generously played on it, and is currently working on his third solo record.  

Q: Backing up to 2012? Can you brief us on what happened? What was vocal therapy like — was it regaining or learning a whole knew toolkit? I gather you focused on physical recovery first and then the emotional work didn't kick in until the concussion....
AC: I had a retropharyngeal abscess resultant from bacteria that was residing on some cervical fusion hardware put in back in 2003. I had three surgeries through my esophagus: two due to the abscess and one to repair a hole in my esophagus. During the second surgery my right vocal laryngeal nerve was damaged and the result was the right cord became paralyzed. My surgeon, who is a top ENT surgeon, used Radiesse for Voice, and injected that through my neck into the right vocal cord, having me sing while injecting the gel to move the right cord back into the middle. Now my left vocal cord basically does all of the work and my right cord just kind of sits there, in one place. I had swallow therapy to learn how to swallow again as my swallowing muscles were damaged. I also went to speech therapy/vocal therapy sessions at the hospital to learn how to speak correctly again. (I basically went until my benefits ran out). I did all of the homework for swallow and speech/vocal exercises, and once I was given permission to do so, I began one-on-one vocal coaching with the amazing Jan Linder-Koda via Skype. I also used her vocal warm-ups on my own time.  I kept old mp3s of when I was first talking and trying to sing. It’s amazing to me how far I’ve come. I don’t have as big of a voice as I had before I got sick. That power is gone. I have to remember not to push too hard or I will lose my voice. I get vocal fatigue easier – and I have noticed that if my neck muscles are tired my voice will change. All of those surgeries have affected me and I have had to learn to work with it and not fight it. That’s okay, it’s really a small price to pay to still be able to do something I love so much. Not only did I survive all of that, but I’m singing? I’m pretty lucky! I’m so happy when I sing, and I’m so thrilled to say I’m making a record without auto-tune. It’s authentically me. This new voice is purely me and I really like it.
I think the reason I didn’t focus on the emotional healing was that my “job” was to get well. Some days I had 2-3 doctors’ appointments. Some weeks I went to the doctor 3-4 days of the week. Recovering from 3 major surgeries, the feeding tubes, the PICC line, all of the drains, etc, required so many visits, physical therapy, etc., that it was all I really did for a while. Not to mention the very real fear for the first year that the infection could resurface. I think emotionally I didn’t feel well for a long time. Physically, I was still not super strong even at a year and a half. When I had that concussion in April I was still not as strong as I am now. My legs collapsed as I stepped off the curb and down I went.
In August 2014 I celebrated my two-year anniversary of the first surgery. It really wasn’t all that long ago. It is remarkable to me know to look back and see how far I have come.

Q: How was writing a part of your emotional recovery? All these songs were written in this period. How are they different than your previous work? What do you hope listeners will take away from the work?
AC: Writing these songs was cathartic. I confronted, relived, and experienced… however you want to say it, thoughts and feelings that were veiled in my subconscious because I had focused all of my energy ‘getting well’. Once I had quiet time to just sit, without any outside input, my mind opened up, and I started listening. It was amazing to me to experience this as an artist/writer. I’ve always been a writer, but sometimes you try to force things. You tell yourself “I must write this song or finish this short story.” Instead, I merely listened and wrote. The words and the music came not independent from each other but almost in concert. I had to learn how to listen and convey this from inside my head to pen, paper and guitar. I’m still listening and writing, and I’m grateful that I’m able to stay connected to this inner voice.
In the past I didn’t have an inner voice, or muse, specifically guiding me as I do now. When I would have an idea of a poem, I would write it down, and then struggle with cords to come up with a song. If a melody came first I would sing it into a voice recorder or my phone, and struggle to convert it into cords. Sometimes weeks went by before I found words that made sense to that melody. Those struggles seem to be gone for now and I’m grateful. 
I definitely want the listener to take away that this is a collected body of work. There can be hope after sorrow; there is joy in overcoming struggle. While each song stands alone, I think together they tell a story. We are frail beings, we are strong, and we can take and make beautiful music out of really awful circumstances, which in and of itself is very healing.

  
Q: Tell us about your plans for the record and going forward? Are you fully recovered from the events of the past few years? Will you be touring?
AC: I plan to release the record on April 17, 2015. That is the one-year anniversary of the concussion, and it seems like the perfect day for THIS record to be released! I really hope we make the Kickstarter goal.... I am so grateful to everyone who has supported me and donated thus far. We were doing really well at first and had a lot of momentum but my Uncle died on Nov 1 and I flew to Alabama to be with my family for the funeral. From Alabama, I flew to Colorado with my parents to attend the funeral of my mom’s best friend’s on Monday of this week. I’ve known this sweet lady since I was in kindergarten. Her daughter and I were in church choir together all through junior high and high school. It’s been a long week of funerals and sadness. [And] I am still in Colorado due to the Arctic Front that moved in. I hope to be able to return to Los Angeles on Friday. ... I am focusing my thoughts on the positive energy of all the support I have received thus far and praying that it works out as it should. I wouldn’t change a thing, because I put my family first, but the timing was rotten. That’s sometimes how life works out. I do hope your readers will check out the Kickstarter and find a reward they like!  There are some really great things there! 
Once the record IS finished and released I will reach out to the Internet radio shows I’ve connected with throughout the years through my time doing NetteRadio. I want to take it as far as I possibly can and I think this is a good first step.
Am I recovered? I think I’m as recovered as I’ll ever be although I can always get stronger, or in better shape, and I work towards that every day. I’ll never be like I was before I got sick. When they told me that at the hospital it made me so mad. I don’t ever want someone else to define me. I understand now what they were trying to say, to caution me and keep me from being disappointed.  This isn’t something I dwell on. I’m certainly much stronger now than I was in April and I hope that I’ll be stronger next April than I am right now.
I would definitely consider touring to support the record. I might do several smaller tours instead of one big tour. That seems like a good way to stay healthy, happy and strong.
 http://www.annetteconlon.com/

Monday, November 10, 2014

Artist Interview: Trouble No More for Corinne West

After more than a decade of touring the globe, California songwriter Corinne West put her guitar down, moved to Austria, and spent more than a year working on visual art. Instead of taking her away from music, the break served to bring her deeper into the creative territory she's mined on four well-received collections of original music. In 2013, she returned to the Bay Area, making a seemingly effortless transition back to where she left off: forming new collaborations with top players, showcasing at the recent FAR-West Conference, and writing a new batch of songs for what will be her fifth recording, TROUBLE NO MORE. Amidst a crowd-funding campaign to support the new work, Corinne discussed her time away from, and joyful return to, a life immersed in making music. 
Q:  After a long run of touring and living abroad, you're back living and creating in the Bay Area. How is it to be back and how is it shaping your current work?
CW: I am quite happy to be back in California, (although I do miss Austria.) My current body of songs have been deeply influenced by the year I spent in the Alpine mountains, and my experiences leading up to that time. Returning to America provided distance and space to reflect on what it meant in my life to be away from home, and what it means to have a true home away from home… which lead to the fertile ground of contemplating the meaning of home in the first place. 
Q: Tell me about your break? Did you plan it consciously or did it just evolve?
CW: In 2011, after 10 years of full-time touring, and on the back-end of a two-year duo project, I took a sabbatical from music completely and lived in a village in the Alpine mountains in Austria for 13 months. I had been moving at such a fast clip that I began to lack a connection to what I was doing and saying and feeling during performances. All the pieces were moving, yet somehow on a soul level, I wasn’t there. It was time to recalibrate and figure out what held meaning for me, and the only way to really address this was to flip the switch, and pull the entire plug out of the wall. When I stepped away from my identity as a musician it got very very quiet. In the middle of that silence I had the powerful and often difficult experience of looking myself in the eye and asking myself what it means to me to create for a living, why am I doing this - and what am I doing. 
Q: You practice multiple art forms (visual media, etc). Is there a typical rhythm to your days creating? 
CW: I am finally at a place in my life where the mediums I work in are all informing one another. If I am working on mono prints, I am infusing the work with the music I am listening to or writing. In making the new record TROUBLE NO MORE, I will be creating the artwork for the CD lending a visual reference for some of the sonic landscapes in the music. It’s all one energy with different outlets or manifestations. So to answer your question, every day holds one facet or another of creation, and the rhythm of the day is a blend of letting it unfold, and keeping in time with the tasks at hand. 
Q How was writing this collection different (or similar) to your past projects? Do you have an idea of what the songs will be about/what rhythms, etc, when you start or are you a fairly organic writer? Why did you choose Redwood Canyon to write this collection?
CW TROUBLE NO MORE has her own character for certain. Some of her songs were written in 2011 as co-writes. Then there was a huge sabbatical from music and a 13-month life in a foreign land. Then a return to music, and a return to songs that have been existing in limbo for a year. In addition, there are pieces that were written very recently, so there is an arc to the record, of time, and change. I would say this is the most intimate and directly autobiographical record I will have offered. At the same time there is a mythic cycle underneath the pieces —  the vulnerability of unity, the pain of leaving familiar ground and love, the loneliness of a desolate heart, and the diamonds gathered (for the sharing) for taking a journey into the unknown. Universal principals through one person’s experiences. It’s everywhere… I just happen to be someone who writes and sings about it. 
The songs were written in the redwoods in Marin county. This California canyon is majestic, and has an abundant history of songwriting and music, a bit like Laurel Canyon. It just seems to be in the air — when one sits to listen and write it out. 
I would have to say, yes, I am a fairly organic writer in that I don’t have a formal process at all. Being quiet and undistracted is vital. I feel the creative process once “in” it, is quite hypnotic and trance-like. I am also a hypnotherapist, and I use self-hypnosis to inform my writing. I like to go deep inside and see what can be brought to the outside. 

Q:Tell us more about what you have planned for the recording. Are dates set, studios booked? Where do you see yourself a year from now?
CW: TROUBLE NO MORE will be recorded in Berkeley. It is my hope that the recording will be wrapped by the end of December. There are some wonderful players lined up for the tunes. This is my 5th studio record, and I have never embarked on crowd-funding, but this time, it’s needed. We have been focused on the campaign so that we can get in the studio and get these songs out into the world. 
Where do I see myself a year from now? Shoot… hopefully smiling at the day with my hands deep in the next batch of fresh music. 
For more information visit http://www.corinnewest.com/

Thursday, September 25, 2014

Artist Interview: Oakland Musician Blood & Dust


Blood & Dust, aka Oakland-based artist Doug Tiemann, first came to my attention through the Balanced Breakfast East Bay music meet-ups. A hard-working and well-respected artist, the Midwest native has been tearing up the Bay Area circuit, garnering raves for his brand of acoustic soul. Leading up to our shared gig at The Monkey House in Berkeley this Saturday, September 27, Blood & Dust kindly answered my questions about his musical path.
 
 Q: How did you first start singing and writing songs?
BD: I actually started writing songs pretty late in the game.  I spent many years playing drums and percussion and picked up the guitar in college.  It wasn't until grad school that I got the gumption to write a song.  Life had changed a lot and I had my first quarter life crisis, so I decided to write about it.
Q:  Who were some of your earliest influences?
BD: I have an interesting mix of influences.  My father grew up in the 50's and 60's so naturally there is a lot of early rock n' roll and Motown in my influences.  I still draw a lot of inspiration from early soul singers like Al Green, Marvin Gaye, and Otis Redding.   My mother brought to the table a lot of songwriters from the 60's and 70's like Simon & Garfunkel and John Prine.  I can't help but acknowledge these influences mix in the way that I approach my singing and writing. Today I find a lot of inspiration from songwriters like David Ramirez and Amos Lee among many others.

Q: Blood and Dust. Great name. What led to it?
BD: Blood & Dust came out of needing a name.  Doug Tiemann isn't a bad name, but it's not a great stage name either.  It pretentious to me to change my name to something cool so I thought that I would choose a name that could work whether I was playing solo or if I had a whole band behind me.  I wanted something gritty and earthy, something that when you heard my music, it made sense with the name.  Blood & Dust was where I landed, I figured that it's either a great name for an Americana band or perhaps some sort of death metal band.  It seemed to make sense to me so there I landed.

Q  What/who led you to California? Can you say anything in respect to how the Bay Area music scene is influencing you in contrast to/or similarly to your experience as a musician in the Midwest and South?
BD: I originally came to bay area to attend graduate school.  I'm a Midwest boy, so you can imagine that the Bay Area changed my life a bit.  I even moved away for a short while but I couldn't stand NOT to live here so I moved back. The Bay Area has been a huge part of my influence as a songwriter.  I've been a musician in the south and the Midwest and while there are definitely scenes, the Bay Area music community inspired me to write, to build community, and to try to be part of something bigger than myself.  While every music scene is competitive, the Bay Area scene has a sense of camaraderie that, I believe, has allowed me to pursue music and grow in my craft.

Q4: What are you working on now? Any new projects or recordings shaping up?
BD:  I've been working on a new block of songs since my first album.  Sophomore albums are definitely a challenge across the board, but I'm excited to explore new sounds. My first album ended up sounding a little more like a rock album, but I'm excited about the using roots instruments and what that will bring to the mix.  Revisiting old songs with new instrumentation has been really refreshing as well.

Q: You host a music series—what's it like for you being on the other side of putting on a show? Any rewards, pitfalls, or recommendations to share with us? 
BD: I was doing a concert series called "An Evening in DogTown."  While it's currently on hiatus, the experience there has been invaluable to me.  I think what made our concert series so valuable to those who participated was that we kept our focus on the most important thing: the music and the people making it.  When you abandon that for just trying to get people in the door you lose something.  I would say that there are too many venues that are only concerned about making a quick buck.  It's a business, and to be successful money has to be made, but you have to care about the product you put out.  I think this is why so many of my fellow Bay Area musicians are seeking out more house show gigs.  I would encourage anyone that wants to pursue putting on house shows to clearly define their reasons for doing so — that's a good start. 
Blood & Dust appears live at The Monkey House Theater in Berkeley, Saturday, September 27, 2014 7:30pm. Tickets & more information: http://monkeyhousetheater.com/ 

Monday, July 14, 2014

NW Mini-tour Postcard: Bend, Redmond & Ashland or Bust


Portland is cooler than ever: Here I'm waiting for the free piano seat on Alberta St. to open after enjoying the best gluten-free cinnamon roll from Back to Eden bakery and a fine coffee from Caffe Vita
I'm truly hooked on the open road, big skies, and opportunities to play songs for new people, which is why I set out on hours-long drives even when plans go awry, tech goes wonky and the temperature averages 95 degrees. Some snaps from the latest trip North and back
Big Sky on the way to Bend, Oregon. Bend is beautiful and boasts another good stage in Volcanic Theater Pub

The amazing Horse Tail Falls along the Columbia River. I didn't take a dip but wished I had later.

The dear Sue Quigley who shared the bill with us at the awesome listening room that is SoulFood Coffeehouse in Redmond, Washington



My trusty Desio Guitar awaiting its orders for the day

Tuesday, July 8, 2014

Quick Change: Northwest Shows & Staying Loose


"A flexible spine equals a flexible mind" is an oft-repeated phrase in yoga circles. I believe it. And during weeks likes this, I'm especially glad I've a regular yoga practice. A run of dates in the Northwest have been on the calendar for months, but in the space of a couple of days, my musical accompaniment for part of the trip changed, a show that was the impetus for the tour was postponed, the tour was rerouted through Portland, I added a new date in a town in which I didn't think I'd be playing, and I'm leaving a day early.   Here's to applying to your day-to-day what practice teaches — breathe, focus ...and get out there and rock it! If you're in Oregon and Washington the next few days, come on out to a show.
 

Upcoming Dates



Wednesday, July 9th, 2014
Volcanic Theatre Pub- 8:30pm
70 SW Century Dr Bend OR 97702 USA
With Johnny Nash!
 
Friday, July 11th, 2014
Soulfood Books and Music - 8pm
Redmond WA 98052 US
Heading back to Redmond as part of a summer NW tour. We had a great time paying here in January. Come on down for acoustic music in a great listening room. With Sue Quigley.
 

Saturday, July 12th, 2014
The Playwright Public House
8pm-10pm 258 A Street Ashland OR 97520
Our first time playing this pub in one of our favorite NW towns.








Wednesday, July 9th, 2014

Volcanic Theatre Pub

8:30pm
70 SW Century Dr Bend OR 97702 USA

Friday, July 11th, 2014

Soulfood Books and Music

Acoustic in Redmond - 8pm
Redmond WA 98052 US
Heading back to Redmond as part of a summer NW tour. We had a great time paying here in January. Come on down for acoustic music in a great listening room.

Saturday, July 12th, 2014

The Playwright Public House

8pm-10pm
258 A Street Ashland OR 97520
- See more at: http://www.deborahcrooks.com/shows/#sthash.wFD1QFL6.dpuf









Wednesday, July 9th, 2014

Volcanic Theatre Pub

8:30pm
70 SW Century Dr Bend OR 97702 USA

Friday, July 11th, 2014

Soulfood Books and Music

Acoustic in Redmond - 8pm
Redmond WA 98052 US
Heading back to Redmond as part of a summer NW tour. We had a great time paying here in January. Come on down for acoustic music in a great listening room.

Saturday, July 12th, 2014

The Playwright Public House

8pm-10pm
258 A Street Ashland OR 97520
- See more at: http://www.deborahcrooks.com/shows/#sthash.wFD1QFL6.dpuf








Wednesday, July 9th, 2014

Volcanic Theatre Pub

8:30pm
70 SW Century Dr Bend OR 97702 USA

Friday, July 11th, 2014

Soulfood Books and Music

Acoustic in Redmond - 8pm
Redmond WA 98052 US
Heading back to Redmond as part of a summer NW tour. We had a great time paying here in January. Come on down for acoustic music in a great listening room.

Saturday, July 12th, 2014

The Playwright Public House

8pm-10pm
258 A Street Ashland OR 97520
- See more at: http://www.deborahcrooks.com/shows/#sthash.wFD1QFL6.dpuf

Friday, July 4, 2014

Happy Fourth: Fireworks & Your Own Reaction


Driving home last night, I happened upon an early Fourth of July celebration, a burst of fireworks originating near the Oakland Coliseum viewable over the water from the Bay Farm Island Bridge. A day before the holiday, it caught me by surprise, the lights and glare inspiring my instinctual appreciation for fire anew.   
 Last year we spent the fourth at Kwame's uncle's house in Seal Beach, en route between a string of shows we were doing in Southern California and the Southwest. In Seal Beach, we walked over from the house to a local field crowded with half the neighborhood to ooh and awe over the multiple displays going off along the Southern California Coast. 
Growing up, July always seemed like the hottest month, but somehow the heat didn't disrupt the desire to set off a firecracker. Because we were inland a few miles, we'd often take our holiday fireworks to Manresa or Beer Can Beach to set off after dark. The fireworks sold at stands at that time packed a punch, and watching the official displays in Watsonville and Santa Cruz was nearly secondary to the rogue displays going off at home and along the coastal beaches. We'd buy what are likely now-illegal bottle rockets and other items promising high voltage glitter and thrill from a roadside stand outside of town. During the week leading up to the holiday, we'd preview our cache of snappers, sparklers, and those weird charcoal snakes that grow before your eyes with the strike of a match, on our brick patio. One never knew exactly what would happen once the firework was lit, which was the real fun. Would the firecracker be a dud or amazing? One year, my dad shot a defective firecracker off early that flew low into a small conifer and burst into flame, a fire that was fortunately easy to contain. Considering our impulsiveness, we were lucky to escape being burned badly or worse: there's good reason so many fireworks are illegal.
The thrill in lighting your own fuse is primal, and the beaches of Santa Cruz were crazy on Fourth, as they are likely are now, crowded with similarly reckless pyromaniac types intent on figuring out how where to best roll the keg in the sand, light the brightest bonfire and set off the loudest explosion. The folks who wanted bigger and brighter on their own terms bought their fireworks from vendors in Mexico or through other underground routes and their were always some impressive, if dangerous, unofficial displays.
Tonight, we'll venture out into the middle of the Bay on the boat to see what we can see. The forecast is calling for the East Bay to straddle the fog bank that's been hovering along the coast the past few days, so the display could be muted.  But who knows? Maybe we'll drum up a few sparklers of our own before nightfall. In the meantime, here's another preview track from the KCDC project, "Your Own Reaction." Happy Fourth!