Showing posts with label bands. Show all posts
Showing posts with label bands. Show all posts

Wednesday, March 7, 2018

Alameda House Concert with Bay Station, Nate Jones Sloe Sippers, Joan Wilson Rueter & Yours Truly, Michele

Spring forward this Sunday March 11 for this fun house concert/mini-local-music fest featuring Alameda Island acts:
* Bay Station
* Nate Jones & The Sloe Sippers
* Yours Truly, Michele
* Joan Wilson Rueter

March 11, 2018 in Alameda
4-7pm $10 tickets in advance via TICKETLEAP
$15-20 at door
RSVP to baystationband @ gmail for more information

Wednesday, March 1, 2017

Songwriters at Play Tribute to Lucinda Williams- Tues, March 7th, 2017

Lucinda tribute
Lucinda Williams is the daughter of a Southern poet, a prolific recording artist, and a relentlessly touring performer. She's also a writer covered by Mary Chapin Carpenter (Passionate Kisses), Tom Petty (Change the Locks) and Emmylou Harris (Sweet Old World). We'll cover her hits, bluesy rockers and ballads in this night of joyous, righteous Americana. The all-star lineup includes L.A.'s Mick Rhodes, Deborah Crooks from the Bay Area, and local favorites Girls & Boys, Kristen Black, Noach Tangeras, John Sandoval, Amie Richie, Holly Ann Lewis, and Lauren Riffle. Your host Steve Key kicks it off at 6:30pm.
This special event runs 6:30-9pm at Morro Bay Wine Seller, 601 Embarcadero, Morro Bay, (805) 772-8388. No cover charge, but we pass the tip bucket, shared by all of the performers. 21 & Over Only. Come early for a good seat (OK to bring your own food, but the venue does have sandwiches and snacks).
A Morro Bay Tribute to Lucinda Williams - 6:30-9:00pm
601 Embarcadero
Morro Bay, CA 93442
Price: Free!


Friday, September 30, 2016

Beauty Everywhere Record Release Show at The Back Room in Berkeley

I'm very excited to write that the release show for Beauty Everywhere is only two weeks away! Please don't miss this show! I'm playing with a superb band — Art Khu on piano, Mike Stevens on drums, Ben Bernstein on bass and Kwame Copeland on acoustic guitar/backing vocals. I'm sharing the bill with a fabulous songwriter and guitarist, Melissa Phillips and James DePrato;  and we're playing new music near and dear to my heart. Plus The Back Room is a cool, cozy all-ages venue (it has a grand piano and couches). Tickets are $15 and are available at the door. If you haven't done so already, please mark your calendars for October 14, and reserve your seat in advance by clicking HERE. I'll look forward to seeing you there. It's going to be a great night.
Love and gratitude, Deborah

Tuesday, June 7, 2016

Thursday June 9: A Night of Americana at The Ivy Room




This week's fun: Thursday, June 9 at the Ivy Room in Albany, Bay Station shares a with Kate Burkart and Nate Jones & The Sloe Sippers, it's going to be a fine night. Three bands, $7, good vibes; hope to see you there!

Thursday, June 9th, 2016

Bay Station (full band) at The Ivy Room

with Nate Jones & The Slow Sippers, Kate Burkart Band

858 San Pablo Ave
Albany, CA 94706
510-524-9299
 Show starts at 8pm;  Price: $7. Bay Station plays at 10:30
 



Friday, February 12, 2016

Bay Station (nee KCDC) "Go Out And Make Some" Celebration in Alameda


I'm excited to report that Bay Station (nee KCDC) is getting ready to release Go Out And Make Some, a diverse mix of 11 new Americana songs about love, lust, sandy beaches, dusty roads, wandering holy men, wolf birds and more. Recorded at Lost Monkey Studio in Hayward, CA,  Kwame Copeland and myself co-produced Go Out and Make Some with Mike Stevens, who also served as mixing and recording engineer, and played drums. Andrew Gibson (bass) and Steve Waters (guitar, backing vocals), round out the band and will all be playing live at the upcoming Bay Area shows. The tunes were mastered by Ken Lee in Oakland, CA, and artist Alicia Buelow designed the CD. We're excited to share it with you!
Please join us as we celebrate the release with a live show at The Fireside in Alameda, CA, on February 20, 2016. ​​1453 Webster Street, Alameda, CA 94501. We go on at 9pm. Plus our blue-rocking friends, The Dirty, will be sharing the evening. No cover!
If you'd like to join the Bay Station mailing list, please visit our site and Facebook pages for news about our upcoming shows and tour. 

 

Monday, October 19, 2015

Indie Rock, Twang & Twilight: October 24 at The Starry Plough Berkeley, w/ Laura Benitez & the Heartache

Two female-fronted acts take the stage on this autumn evening, sharing original songs of love, life, and the pursuit of damn good whiskey.
 

Laura Benitez and the Heartache use the three chord tools of country music to tell the simple, unvarnished truth about love, too much whiskey, and the call of the road. Their songs range from honky-tonk shuffles to rock 'n' roll numbers to sweet old time waltzes, and cover everything from unwed motherhood ("Me or the Baby") to mean drunks ("Don't Wake the Devil"), with a whole lot of heartbreak in between. Their twangy honesty shines through in straightforward arrangements, crystalline harmonies, and spare instrumentation. Beware their catchy hooks and sweet melodies - these stray puppy tunes will follow you home and become your most steadfast companions. www.laurabenitezandtheheartache.com

California songwriter Deborah Crooks' lyric driven and soul-wise music draws on folk, rock, and Americana and is often compared to Lucinda Williams and The Cowboy Junkies. Her music ventures into everything from funk and reggae to rock and blues, reflecting her expansive and eclectic tastes, a sound which has evolved over her years studying writing and poetics at The Naropa Institute, voice with Chloe Goodchild and Mysore V. Amba Prasad (India), and cowriting and collaborating with her Bay Area peers. She’s released three CDs and several EPs of critically noted original music, including 2015’s Something Special, which reflects both her California Roots and global peregrinations. “Quite simply smart and engaging music." — RockWired Magazine www.deborahcrooks.com

Tuesday, October 6, 2015

FAR-West Venues' Choice Concert October 15, 2015 at the Oakland Marriott City Center


On Thursday evening, October 15, FAR-West will kick off its 12th annual conference with the Venues’ Choice concert. Five venues from around the region, dedicated to presenting acoustic music year-round, will each present an artist(s) of their choice. The diversity of styles represented are indicative of the broad range of expression that makes the West such a rich cultural melting pot. FAR-West's opening night concert is always one of the highlights of the conferences and 2015 is shaping up to be another great night.
Public tickets ($15) can be purchased at the FAR-West Brown Paper Tickets site.
VENUES' CHOICE CONCERT Thurs, Oct 15, 2015 at 7pm Oakland Marriott City Center 7:00 PM  

Friday, September 25, 2015

KCDC Band Live in Alameda September 26



This Saturday, KCDC breaks out the electric guitars to perform our cowritten tunes at High Street Station Cafe in Alameda. Come on down and hear songs from the Your Own Reaction CD plus new KCDC originals. Kwame and I had a great time 'boat-shedding' many of these songs live on Espresso this past weekend, and we're looking forward to plugging in and playing with our band on terra firma! We’ll be joined by Steve Waters (guitars), Andrew Gibson (bass) & Mike Stevens (drums). Plus our fellow Alamedan Paul Manousos will kick things off with a set of his dynamic music.
 High Street Station is located at 1303 High St (@Encinal) in Alameda, CA. Call High Street to reserve a table 510-995-8049. Tickets are available in advance for $10 through Brown Paper Tickets.
 



Monday, August 17, 2015

'Something Special' EP Release August 29 at Awaken Cafe


EP Release Party: Saturday, August 29th, 2015 in Oakland, with Deborah Crooks, Yours Truly, Michele, and Loretta Lynch 

Awaken Cafe

"Something Special" EP Release - 8pm

1429 Broadway (@ 15th Street)

Oakland, CA 94612

Price: $7 adv/$10 dos

I'm so looking forward to playing with the band in celebration of my Something Special  EP. Please join me, Saturday, August 29,  as I showcase songs from the EP on a bill with two of my favorite bands Loretta Lynch and Yours Truly, Michele.

Loretta Lynch: 8pm With dreamy three-part harmonies, raucous, surf-tinged guitar and more than a bit of tongue in cheek, the East Bay Area’s own alt-country outfit Loretta Lynch’s stirring songs reach the shady grove in all of us. A little tear in your beer, a little knife in the back – think "O Brother Where Art Thou" meets the Andrews Sisters’ disreputable cousins at a warehouse hoedown. It’s Americana Noir.

Yours Truly, Michele: 9pm Michele Kappel-Stone began singing onstage as a teenager, when she donned a head-to-toe white leotard and crooned “Sex in Wetsuits” as part of the multi-media avant theater company Impossible Industrial Action. The Baltimore native’s latest venture, Yours Truly, Michele, may best capture the heady mix of influences and experiences she can bring to any party simply by showing up.  With a sound infused with 60s pop and soul and infected by Americana Roots-Rock, YTM can evoke Debbie Harry, Erin McKeown, and Patsy Cline.

Deborah Crook: 10pm Deborah recorded Something Special earlier this year at Lost Monkey Studio in Hayward with Mike Stevens on drums, Kwame Copeland on guitars and Andrew Gibson on bass. The songs on the EP cover such topics as seeking transcendence in the myth of Bigfoot; recovering from a breakup in a 50s era LA Travelodge, and keeping the faith while being lost. Come take a listen!

Hear “India Street: on Soundcloud:

Wednesday, May 6, 2015

May Second Saturdays at Jingletown Jazz Room

I'm looking forward to being a part of this "a showcase and meeting place for all things Oakland-made." Aka Ale Industries' Second Saturdays event featuring  local artists, local food trucks and food vendors, local bands and musicians (this week, moui as well as King Cajon & The Country Gentlemen", art vendor markets highlighting artists and local. Plus Ale Industries is all about its East Oakland-made, BioEnergy beers! Stop by, 3098 E. 10th St. Oakland, CA 94601 from 12-10pm. 
We'll be playing at 5pm.

Monday, February 23, 2015

Happy Women Blues: A Tribute to the Music of Lucinda Williams March 6, 2015 @The Starry Plough


Lucinda Williams has released 12 albums over her storied, Grammy-award winning music career. I've been a fan a long time and when I saw her play live most recently at the Hardly Strictly Bluegrass Fest in October, I was once again struck by how deep and wide and GREAT a song catalog she has.  Plus she absolutely rocks. A tribute show to her work seemed in order. Our pals at The Starry Plough agreed, and I'm pleased to announce the date for Happy Women Blues: A Tribute to the Music of Lucinda Williams approaches! Please join us,  March 6 in Berkeley as six local Bay Area acts perform songs spanning Lucinda's brilliant, 35+ year songwriting career.

Happy Women Blues: A Tribute to the Music of Lucinda Williams 

 The Starry Plough, 3101 Shattuck Ave, Berkeley, CA  Friday March 6, 2015 at the Starry Plough. Doors at 8pm / Show 9pm. Featuring:  Briget BoyleDeborah Crooks • essence •  Kate Burkart •  Keller SistersSecret Town

Thursday, January 1, 2015

Happy New Year! Spirit Vibrations Presents Anju’s Pale Blue Eyes, The Silver Threads and Deborah Crooks Band at Bottom of the Hill

Happy 2015! May it be a year that's filled with peace, prosperity, health, joy and wonder for all. Tall order, I know, but I'm putting it out there... along with an invitation to a show on January 7 about which I'm excited, an opening set at Bottom of the Hill in San Francisco.
BoTH is venerable among SF clubs and I'm pretty pleased to bring a full band to its stage. We kick things off at 9pm sharp, in support of two other interesting projects, The Silver Threads and Anju's Pale Blues Eyes. Expect a night of rootsy rock, indie folk and Americana music. Please join us in musically bringing in 2015.
Wednesday January 7, 2015
Spirit Vibrations Presents
Anju’s Pale Blue Eyes
The Silver Threads
Deborah Crooks Band
 at The Bottom of the Hill 1233 17th Street SF
Cost: $8
Doors 8:30pm Show 9:00pm
Ages: 21+

Wednesday, October 22, 2014

Artist Interview: Annie Bacon's Pounding Corps

When I think of artists who exemplify The Bay Area's creative culture, I think of people like Annie Bacon. Highly original, filled with integrity and continually questing, the SF-dwelling singer/songwriter/composer/bandleader and mother has several EPs and a full-length CD with annie bacon and her oshen, as well as a highly acclaimed musical suite, The Folk Opera, to her name.  She's also sung and played on a slew of other artist's recordings and projects (Corinne West, Savannah Jo Lack), and just received an Arts Incubator award from Intersection for the Arts for her next creation. I recently caught up with her as she prepared for a benefit performance she's doing for The Liberation Institute Urban Retreat Center, Sunday, October 26, in San Francisco.

Q When did you first embrace songwriting? Who was a big early influence on your becoming an artist and who or what is fueling your muse currently?
AB: Before December of 2007, I'd definitely written songs, but I never considered myself a songwriter. I was content to play other people's music. That was the month, however, when I got Garageband, which changed everything. Suddenly I could sketch out concepts of songs across multiple tracks, and it was like a floodgate had been opened. Within a few weeks I knew that this was what I was supposed to be when I grew up. Pink Floyd and whatever was playing on the soft rock station in the late 80s ... those were my early influences. Music that was emotional. Right now I'm dealing with an Alt-J infatuation, a British art-band that does everything I love: harmonies, highly literate lyrics, dirty-grimy bass drops, ear-worming melodies, and arrangements that keep you on your toes. A few songs of theirs I love: "Fitzpleasure"and "Ripe &Ruin."


Q Tell us about the new EP and the 'community effort' it's entailed? 

AB: The new EP, which I haven't yet named, is a collection of ukulele songs that I've written across five or six years, but which never quite fit on any other release.  2012-13 were hard years for me and my family. Without going into it, I'll say that I was creatively paralyzed coming out of it and having trouble getting re-started. A kind friend set me in motion with a gentle nudge, another friend stepped forward to engineer it, and others threw down their massive talent as the OSHEN. And still other friends have offered ears, insights, and hours of talking them through. It's one of those projects that has happened for me, not because of me, which is a sweet and humbling relief. I feel really blessed by my community.

Q You just were just awarded an Arts Incubator by Intersection for the Arts. What does that mean for your work and will you build upon The Folk Opera or drum up something else altogether?

AB: Yes! This is really exciting for me. There's another project altogether that inspired me reaching out to them for support. It's a project that needs to happen within a certain framework, and to be honest I don't even know what exactly it is going to be yet, only that I'm supposed to set out to do it. I'm being necessarily vague, you'll forgive that I hope. But I do also see the potential for the IFTA sponsorship as a platform for finding the Folk Opera's next life, which is on stage. Maybe I'll find funding to get the incredible Alphabet Arts puppet production of the piece out here from Brooklyn.


Q You're doing a benefit performance for The Liberation Institute. Tell us about their work in the Bay Area (and any more details about the show) and how it's important to you.

AB: The Liberation Institute is an organization dear to my heart. I sit on their Board of Directors and am consistently amazed and impressed by how much they do with so little. Their community-mental-health model means that absolutely anyone can access their services. As an artist, I know how often I and other artists need support, but feel limited by finances, so this accessibility is a key part of what I love about them.
The show is to raise funds for their services for children, teens and families. As a mama myself now, I also have deep empathy for how necessary therapy can be in the process of both being and raising a child! Holy moly. The show will be kid-friendly, with those under 12 free to enter and the show happening from 3-5p. (After nap before dinner!) It's going to be an intimate show with only about 30 tickets available for purchase. Since it's a fundraiser we're asking $25-50/ticket, fully tax-deductible since Libi is a 501(c)3 non-profit. I'll play the Folk Opera, followed by a set of ukulele songs from the EP.  
Details: Music Is Love: An afternoon with Annie Bacon, Sunday October 26th, 3pm-5pm at the Liberation Institute's Urban Retreat Center, 1227-A Folsom Street at 8th, San Francisco. $25-50 tax-deductible donation suggested, kids 12 and under are free! Tickets available via www.anniebacon.me

Thursday, July 10, 2014

Artist Interview: The Welcome Matt's POP JUNK FLUFF and HYPE



San Francisco musician Matt Langlois, aka The Welcome Matt, is a tireless, fearless and fun artist. Touring, collaborating and recording continuously, the Bay Area-via-New England troubadour has had his work featured on  KFOG’s popular Local Scene CD twice, teamed up with renowned modern dance choreographer Christine Cali to co-create multi-day dance performances, and signed a publishing deal with Wixen Publishing. Along the way, he co-wrote a top-40 European hit “San Francisco,” by Cascada, recorded and released a video for his cover of David Bowie’s ‘DJ’, collaborated with Cali on another three-day production, ‘L.O.A.D.E.D.’ and launched a video series featuring other local artists guesting on his songs called 'Welcome Matt Wednesdays.' Amid all these accomplishments, he managed to sneak in recording a new collection of indie-rock goodness, “POP JUNK FLUFF and HYPE,” recorded at Lost Monkey Studios in Hayward, CA.   Advance notice on POP JUNK FLUFF and HYPE, which will be released July 16, is already attracting critical raves: "Pop Junk Fluff and Hype"...romps eagerly around the ears," wrote The Ringmaster Review. "Fiery rock guitars flame over the pop canvas whilst vocals and keys leap with energetic rigour and enterprise. It is a spellbinding mix of styles and flavours, electro and alternative rock... yet another impossible to ignore or resist piece of excellent rock ‘n’ roll."  
Langlois discussed the process and influences leading up to his latest batch of songs... and his next!
Q:Who do you count as major influences?
The Welcome Matt: David Bowie, The Kinks, The Clash, The Replacements, Aimee Mann, Blumfeld, Camper Van Beethoven, Devo, The Who, Blur, Roy Orbison and Gil Scott Heron.

Q: Can you name your top three albums?  
TWM:[I] first listened to these during pivotal points of my creative up bringing. They conjure a certain sense of longing:
Scary Monsters—David Bowie
London Calling—The Clash
Lola vs the Powerman Moneygoround—The Kinks

Q: When did you write your first song? 
TWM: 8th Grade “Right Back To the Center." I probably thought I was channeling John Lennon.

Q: What's your writing process like? Do you write everyday? 
TWM: Like all mechanisms of survival and coping with existence… eating, sleeping, staying healthy, not staying healthy, and dreaming. In other words it’s in constant motion…songs are always smoldering.

Q: How did you go about selecting the songs for POP JUNK FLUFF and HYPE? Did you have them all before you went into the studio or did the recording process inspire new material
TWM: Yes, I wrote a list of songs i thought that would work together sonically and conceptually.
Most songs come in batches… originally these came as a loose concept album.
I was originally going to name the CD “The Return of a generation xer," hence, “The Welcome Back.” Then “ Key of G" which is about shedding the past. After that comes songs with loose concepts of that person dealing with aspects of modern day life such as technology, government surveillance, mind control through consumerism, global warming ("A Hail Mary"). But the “Xer” leaves again [and] travels the world (Let’s Really Go) to gain perspective and makes a decision to “Cast a Line” toward living more life despite the negative effects of the current state of things (instead of throwing in the towel on the world in which he/she has come back to). I decided to simplify and name it POP JUNK FLUFF and HYPE.

Q: Describe the recording process for you?  
TWM: 4 cups of hacking out rough sketches of song arrangements with 3 tablespoons of tempo, mix in a layer of drum groove over a thick bed of bass, ( keep stirring !). All the while sprinkle over various guitars, synthesizers, percussion, maybe a little piano, roll it all around a preheated pan of vocals, shove it in your brain oven for a bunch of weeks until you’ve eaten and digested it all, and hope someday others will want to sit down at your table and enjoy a nice meal.

Q: Did songs take on different directions in the studio? What might be the most different result of what you brought with you to the studio?
TWM: Very often and most of the time I wonder how they’ll come out on the other side. 
More info @ www.welcomemattsf.com/
Buy Cast A Line on itunes HERE
Listen to songs from POPJUNKFLUFF and HYPE performed LIVE. @The RiteSpot  3153 17th
July 17th 5:30pm (Pre-set performance for CALI&CO's You ARE HERE @ODC Theater)
then again @The Rite Spot 3153 17th July 20th 8:30pm

Monday, February 10, 2014

Americana Hustle: A mini MUMfest day of Americana music in Modesto

Last year, we played at MUMfest, the Modesto Unplugged Music Fest produced by (seemingly) tireless music promoter Aaron Rowan. Showcasing the music of  the San Joaquin Valley and beyond, we were part of a diverse line-up of bands and songwriters that shed new light on what's going on in musically in California. It really is amazing how much music is being made everywhere if you decide to look and what Rowan is doing in Modesto is a case in point.
The MUMfest attracted so much interest, he's doing it again this year, with the added feature of several one-day 'extension' events leading up to the main festival in April. We're heading back to Modesto this weekend to take part in one of them, Americana Hustle, running all day February 17, 2014 in Modesto. Here's the skinny:
In the first of a series of daylong extension events of the Modesto Unplugged Music Festival, come enjoy a lineup of great local Americana-esque artists from around the San Joaquin Valley, and beyond.

Americana Hustle: a mini-MUMfest showcase Saturday, February 17. 
  • Cafe Deva (1202 J St.), 3pm-6:30pm, no cover:

    3:00 CJ Bradley
    3:30 Shawn Michael Allen
    4:00 American Spring Machine (Erin Odessa & Ben Vogel)
    4:30 Andrew Alvarez
    5:00 Hushed & Guilty
    5:30 Chris Farris Music
    6:00 Sue Dean

    Peer Recovery Art Projec
    t (1222 J St.), 12pm-6pm, $10 at door:

    12:00 Tractor-boy Chris Ward
    12:40 Deborah Crooks
    1:35 Ron Roy
    2:25 Sue Ray w/ Melissa Fraser
    3:20 Carrie Henschell of Carrie and the Cut Snakes
    4:15 Vagabondage
    5:10 Bethany & The Pick 'N Pull

Monday, February 3, 2014

Rain & Magik

It was the Bicentennial year, 1976, and the driest California year of the century was wrapped up in red, white and blue. All year, it seemed, we were celebrating the nation's birthday by stitching up Betsy Ross era bonnets, drawing flags on whatever surface we could find and studying up on our founding fathers. I remember collecting the special Bicentennial quarters featuring the colonial drummer and how our school teacher solemnly detailed the importance of the Declaration of Independence. By the day of the big celebration, the 4th of July, though, summer was as marked by the drought as it was patriotism.  As a kid, the drought was a curiosity as much for the concern expressed by adults as it was by the strangeness of not being able to get relief from the heat by running through sprinklers. We easily fished trout out of puddles that once qualified as the local creek, we let the lawn go,  had less fruit on our trees and reduced the fireworks celebration to some sparklers. But while it had lasting repercussions, that dry spell was only  a year. Time went speeding ahead, the rainclouds returned, and soon we were back to contending with flood years (1982). Living with extremes was growing up in California.
Like everything, extremes are relative, and as familiar as it is, in many ways, our current drought is dissimilar to that of the 1970s. The California Weather Blog has a comprehensive comparison of what's going on now vs. then.
So how welcome it was to wake up to the sound of rain on Sunday. How magical it seemed again for clouds to form and drop water, rinsing the air, rinsing the streets, cleaning off the car we haven't washed to add to our 20% reduction of water use. Most of all, it just felt good. I threw on a rain jacket ran/walked to my favorite cafe, not caring I was getting wet for the sheer joy of needed water received.
Speaking of magic, we went to the Magik*Magik Orchestra 5-year Anniversary Concert at The Fox in Oakland on Friday. A celebration of the amazing work of orchestra founder and director Minna Choi, who continues to innovate and expand the sonic landscape with her "made-to-order orchestra for artists and creatives."  
The concert featured a whose-who of Bay Area and beyond indie music acts (ala John Vanderslice, Rogue Wave, The Dodos) who've employed the orchestra for their recordings (Magik*Magik is the house orchestra for Vanderslice's Tiny Telephone studio) or otherwise performed with the orchestra, as well as the also stupendously-amazing Pacific Boys Choir. Highlights of a night of sonic excellence were performances by The Lonely Trees' John Van Deusan (below)and Diana Gameros. But really, the night belonged to Minna and her already-incredible body of work.  Wowza.

Wednesday, October 30, 2013

Austin Never Sleeps: MEOWCon Recap

Playing Cedar St. photo by Katie Garibaldi

We had another great time in Austin, playing at MEOWCon13 and getting completely inspired by all the other artists (hello Leni Stern African Trio*, Bluebonnets & Suzi Quatro), while catching up with new and old friends (Katie Garibaldi, Sue Quigley, Willow &The Embers) with gigs at The Driskill and Cedar St Courtyard to bookend the conference experience. Along with the live shows, there were several films that screened during MEOWCon. We met Seattle filmmaker Kay D. Ray on the shuttle to the hotel and were very happy we made a point of seeing her 'director's cut' of Lady Be Good: Instrumental Women In Jazz. Containing extraordinary footage of, and interviews with, pioneering women musicians from the 1920s to the 1970s, it's a deep, inspiring, troubling and enlightening film all at the same time. In other words, make sure you see it. You can find out more and support it's release at Kay's site.
Very big bow of appreciation to Carla DeSantis Black, who rounded up an extraordinary mix of women in music that was the inaugural MEOWCon. Here's to many more!
And thanks to Austin itself, which doesn't seem to get much rest. Between MEOWCon, the Austin Film Fest, the Austin Ironman and The Texas Book Fair (as well as a bunch of stuff we didn't know about) going on at the same time, the city was constantly buzzing. Ole! 


MEOW Showcase, photo by Jo Wymer
MEOW Con 2013


*We were especially blown away by Leni Stern, a masterful and transcendent guitarist whose trio brought the conference to an entirely new level. Bay Area residents take note: She's bringing her act to Oakland, November 2 @ Restaurant Duende & Bodega

Wednesday, March 20, 2013

3/23 Live @ The Plough & Stars: Secret Town and Deborah Crooks

Last minute-ish add to the March calendar, we'll be playing in support of our friends in Secret Town at SF's favorite Irish pub, The Plough and Stars. Sure it's a week after St. Patrick's day but why let that stop you? Come lift a glass and enjoy live Americana music. Cheers!

Monday, March 18, 2013

Read.Eat.Listen: Believer

For the first time in many years, I did not go to Austin for SXSW, the annual conference/mass party/whose who of music of the moment (or retro moments).  A part of me must of thought I was going, as the weekend was pretty open, which turned into a good opportunity to explore some new-to-me hiking areas, see Oz (so-so IMHO), and hear some local music. Nature stole the show, however: Springtime is busting out all over, as you can see from these photos of Coyote Hills Regional Park which straddles a ridge opening up on views of the Bay, Coyote Hills Slough as well as East Alameda Contra Cost Counties.




Meanwhile...Reading.Eating.Listening has occured:

Read: I got a lot of mileage out of Sharon Salzberg's 2003 release "Faith: Trusting Your Own Experience" last week. Detailing her early journey to India in the 1970s to study Buddhism as well as her life teaching mindfulness and lovingkindness practices — she cofounded the Insight Meditation Society and is a contemporary of Ram Dass —I took a lot of heart from her journey from ordinary broken to risk-taking seeker, dedicated practitioner and leading teacher: "In order to deepen our faith, we have to be able to try things out, to wonder, to doubt. In fact, faith is strengthened by doubt when doubt is a sincere, critical questioning combined with deep trust in our own right and ability to discern the truth."
Eat: I have a bit of an obsession with cardamom going. I've been putting the aromatic spice  in smoothies, and in...waffles. Breakfast in bed, baby! Buy the the green pods, grind them fresh when you want to add them to something, in this case gluten free waffle mix. I also used orange juice as a liquid and threw in chia seeds for good measure (and fiber). Yum.
Listen: If I had been in Austin this weekend, I would have gone down to the Continental Club or otherwise sought out the True Believers, who had reunited for the event: