Showing posts with label singing. Show all posts
Showing posts with label singing. Show all posts

Friday, March 10, 2017

March 15, 2017: Original Songwriter Showcase at The Octopus Literary Salon, featuring Bob Hillman, Maggie Forti & Peter Whitehead

I'm hosting another run of songwriter shows at The Oakland Octopus Literary Salon this year, kicking off what will be a quarterly event, Wednesday, March 15, 2017 at 7pm.  March features three great artists: Bob Hillman, Peter Whitehead and Maggie Forti. Don't miss it! The entry ($5-10 suggested) is a steal, plus the Octopus is cozy, has delicious and nutritious food and drink. 
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SONGWRITERS SHOWCASE
March 15, 2017 7pm
2101 Webster Street
Oakland, CA 94501
all ages, $5-10 suggested

[NBC] Peter Whitehead: Anything You Want to Do Is Going to Work Eventually from Oresti Tsonopoulos on Vimeo.

Monday, October 19, 2015

Indie Rock, Twang & Twilight: October 24 at The Starry Plough Berkeley, w/ Laura Benitez & the Heartache

Two female-fronted acts take the stage on this autumn evening, sharing original songs of love, life, and the pursuit of damn good whiskey.
 

Laura Benitez and the Heartache use the three chord tools of country music to tell the simple, unvarnished truth about love, too much whiskey, and the call of the road. Their songs range from honky-tonk shuffles to rock 'n' roll numbers to sweet old time waltzes, and cover everything from unwed motherhood ("Me or the Baby") to mean drunks ("Don't Wake the Devil"), with a whole lot of heartbreak in between. Their twangy honesty shines through in straightforward arrangements, crystalline harmonies, and spare instrumentation. Beware their catchy hooks and sweet melodies - these stray puppy tunes will follow you home and become your most steadfast companions. www.laurabenitezandtheheartache.com

California songwriter Deborah Crooks' lyric driven and soul-wise music draws on folk, rock, and Americana and is often compared to Lucinda Williams and The Cowboy Junkies. Her music ventures into everything from funk and reggae to rock and blues, reflecting her expansive and eclectic tastes, a sound which has evolved over her years studying writing and poetics at The Naropa Institute, voice with Chloe Goodchild and Mysore V. Amba Prasad (India), and cowriting and collaborating with her Bay Area peers. She’s released three CDs and several EPs of critically noted original music, including 2015’s Something Special, which reflects both her California Roots and global peregrinations. “Quite simply smart and engaging music." — RockWired Magazine www.deborahcrooks.com

Monday, August 17, 2015

'Something Special' EP Release August 29 at Awaken Cafe


EP Release Party: Saturday, August 29th, 2015 in Oakland, with Deborah Crooks, Yours Truly, Michele, and Loretta Lynch 

Awaken Cafe

"Something Special" EP Release - 8pm

1429 Broadway (@ 15th Street)

Oakland, CA 94612

Price: $7 adv/$10 dos

I'm so looking forward to playing with the band in celebration of my Something Special  EP. Please join me, Saturday, August 29,  as I showcase songs from the EP on a bill with two of my favorite bands Loretta Lynch and Yours Truly, Michele.

Loretta Lynch: 8pm With dreamy three-part harmonies, raucous, surf-tinged guitar and more than a bit of tongue in cheek, the East Bay Area’s own alt-country outfit Loretta Lynch’s stirring songs reach the shady grove in all of us. A little tear in your beer, a little knife in the back – think "O Brother Where Art Thou" meets the Andrews Sisters’ disreputable cousins at a warehouse hoedown. It’s Americana Noir.

Yours Truly, Michele: 9pm Michele Kappel-Stone began singing onstage as a teenager, when she donned a head-to-toe white leotard and crooned “Sex in Wetsuits” as part of the multi-media avant theater company Impossible Industrial Action. The Baltimore native’s latest venture, Yours Truly, Michele, may best capture the heady mix of influences and experiences she can bring to any party simply by showing up.  With a sound infused with 60s pop and soul and infected by Americana Roots-Rock, YTM can evoke Debbie Harry, Erin McKeown, and Patsy Cline.

Deborah Crook: 10pm Deborah recorded Something Special earlier this year at Lost Monkey Studio in Hayward with Mike Stevens on drums, Kwame Copeland on guitars and Andrew Gibson on bass. The songs on the EP cover such topics as seeking transcendence in the myth of Bigfoot; recovering from a breakup in a 50s era LA Travelodge, and keeping the faith while being lost. Come take a listen!

Hear “India Street: on Soundcloud:

Tuesday, January 27, 2015

Coming up Friday: Alameda Songwriters Roundup, Friday, January 30, 2015, 7pm

Please join me this Friday in Alameda for night of original songwriters playing in the round, featuring some of my favorite Bay Area songwriters. 

Alex Walsh, Amy Obenski, Dan Seidel, Deborah Crooks, Johnny Nash and Paige Clem  LIVE 

1303 High St,
Alameda, CA 94501
$5-10 sliding scale. High St. offers a full dinner and beverage menu. Kids welcome. Call for a dinner reservation! 415 355-7888
 
Hear Alex's latest at his Blog

Tuesday, December 9, 2014

Holiday Shows & Music: Mann & Naylor Update the Usual


I went to two very different but equally excellent holiday-themed shows this past weekend: Aimee Mann's rock 'n roll Holiday special at The Fillmore on Friday and Jacqui Naylor's intimate jazz show at Salle Piano's on Sunday. Very different in setting and mood, they were both excellent, featuring stellar accompaniment (key players being songwriter/guitarist Ted Leo for Aimee and pianist Art Khu for Jacqui) great singing and new takes on holiday favorites.

Both Mann and Naylor have above-and-beyond-the-usual holiday albums. Check 'em out.
Jacqui Naylor — Smashed for the Holidays
Aimee Mann —  One More Drifter in the Snow

 In addition to co-leading the show with Leo — they've been performing as 'The Both'  for the past year or two — Mann called in a couple of comedians as well as Bangle member Susanna Hoffs to fill out the evening. Their video, below, albeit not Christmas-related, captures the chops and humor this bunch brought to the stage.

Saturday, November 15, 2014

Artist Interview: Annette Conlon Reclaims Her Voice on 'Life, Death and the Spaces Between'

I've known songwriter Annette Conlon for nearly as long as I've been recording music. The Los Angeles based artist has long been an avid support of other artists as the host of 'Nette Radio, 'one of the longest running radio shows dedicated to promoting women in music.'  She's also hosted many a songwriter showcase over the years and collaborated with her husband in duo The Conlons. But after a harrowing few years of health challenges, Annette is putting her own voice front and center, embarking on a solo project inspired by the events she's weathered, "Life, Death and The Spaces Between." Amidst a crowdfunding campaign to support the project and some unexpected family events, Annette discussed her road to healing and writing her most inspired material.

Q: You've been so active in music, I didn't realize you hadn't recorded your own solo work. How did you know it was time?
Annette Conlon: I fell and hit my head on a trashcan on April 17, 2014. I suffered a pretty severe concussion and during my recovery I started writing. I had written an entire album’s worth of songs between April 17th and Sept 5th; but really by mid-June I knew I wanted to record the songs I has written thus far. These songs felt special to me, and to Doug, and seemed to really connect with people when we played them live.  I told Doug I wanted to record right around my birthday in June. It wasn’t until we were in the studio and recording that we realized this was really my baby. Even though I had written everything, we went in with the intention of recording a “The Conlons” record; however, we realized that wasn’t what it was. Doug is fully supportive of my first full-length solo record, has generously played on it, and is currently working on his third solo record.  

Q: Backing up to 2012? Can you brief us on what happened? What was vocal therapy like — was it regaining or learning a whole knew toolkit? I gather you focused on physical recovery first and then the emotional work didn't kick in until the concussion....
AC: I had a retropharyngeal abscess resultant from bacteria that was residing on some cervical fusion hardware put in back in 2003. I had three surgeries through my esophagus: two due to the abscess and one to repair a hole in my esophagus. During the second surgery my right vocal laryngeal nerve was damaged and the result was the right cord became paralyzed. My surgeon, who is a top ENT surgeon, used Radiesse for Voice, and injected that through my neck into the right vocal cord, having me sing while injecting the gel to move the right cord back into the middle. Now my left vocal cord basically does all of the work and my right cord just kind of sits there, in one place. I had swallow therapy to learn how to swallow again as my swallowing muscles were damaged. I also went to speech therapy/vocal therapy sessions at the hospital to learn how to speak correctly again. (I basically went until my benefits ran out). I did all of the homework for swallow and speech/vocal exercises, and once I was given permission to do so, I began one-on-one vocal coaching with the amazing Jan Linder-Koda via Skype. I also used her vocal warm-ups on my own time.  I kept old mp3s of when I was first talking and trying to sing. It’s amazing to me how far I’ve come. I don’t have as big of a voice as I had before I got sick. That power is gone. I have to remember not to push too hard or I will lose my voice. I get vocal fatigue easier – and I have noticed that if my neck muscles are tired my voice will change. All of those surgeries have affected me and I have had to learn to work with it and not fight it. That’s okay, it’s really a small price to pay to still be able to do something I love so much. Not only did I survive all of that, but I’m singing? I’m pretty lucky! I’m so happy when I sing, and I’m so thrilled to say I’m making a record without auto-tune. It’s authentically me. This new voice is purely me and I really like it.
I think the reason I didn’t focus on the emotional healing was that my “job” was to get well. Some days I had 2-3 doctors’ appointments. Some weeks I went to the doctor 3-4 days of the week. Recovering from 3 major surgeries, the feeding tubes, the PICC line, all of the drains, etc, required so many visits, physical therapy, etc., that it was all I really did for a while. Not to mention the very real fear for the first year that the infection could resurface. I think emotionally I didn’t feel well for a long time. Physically, I was still not super strong even at a year and a half. When I had that concussion in April I was still not as strong as I am now. My legs collapsed as I stepped off the curb and down I went.
In August 2014 I celebrated my two-year anniversary of the first surgery. It really wasn’t all that long ago. It is remarkable to me know to look back and see how far I have come.

Q: How was writing a part of your emotional recovery? All these songs were written in this period. How are they different than your previous work? What do you hope listeners will take away from the work?
AC: Writing these songs was cathartic. I confronted, relived, and experienced… however you want to say it, thoughts and feelings that were veiled in my subconscious because I had focused all of my energy ‘getting well’. Once I had quiet time to just sit, without any outside input, my mind opened up, and I started listening. It was amazing to me to experience this as an artist/writer. I’ve always been a writer, but sometimes you try to force things. You tell yourself “I must write this song or finish this short story.” Instead, I merely listened and wrote. The words and the music came not independent from each other but almost in concert. I had to learn how to listen and convey this from inside my head to pen, paper and guitar. I’m still listening and writing, and I’m grateful that I’m able to stay connected to this inner voice.
In the past I didn’t have an inner voice, or muse, specifically guiding me as I do now. When I would have an idea of a poem, I would write it down, and then struggle with cords to come up with a song. If a melody came first I would sing it into a voice recorder or my phone, and struggle to convert it into cords. Sometimes weeks went by before I found words that made sense to that melody. Those struggles seem to be gone for now and I’m grateful. 
I definitely want the listener to take away that this is a collected body of work. There can be hope after sorrow; there is joy in overcoming struggle. While each song stands alone, I think together they tell a story. We are frail beings, we are strong, and we can take and make beautiful music out of really awful circumstances, which in and of itself is very healing.

  
Q: Tell us about your plans for the record and going forward? Are you fully recovered from the events of the past few years? Will you be touring?
AC: I plan to release the record on April 17, 2015. That is the one-year anniversary of the concussion, and it seems like the perfect day for THIS record to be released! I really hope we make the Kickstarter goal.... I am so grateful to everyone who has supported me and donated thus far. We were doing really well at first and had a lot of momentum but my Uncle died on Nov 1 and I flew to Alabama to be with my family for the funeral. From Alabama, I flew to Colorado with my parents to attend the funeral of my mom’s best friend’s on Monday of this week. I’ve known this sweet lady since I was in kindergarten. Her daughter and I were in church choir together all through junior high and high school. It’s been a long week of funerals and sadness. [And] I am still in Colorado due to the Arctic Front that moved in. I hope to be able to return to Los Angeles on Friday. ... I am focusing my thoughts on the positive energy of all the support I have received thus far and praying that it works out as it should. I wouldn’t change a thing, because I put my family first, but the timing was rotten. That’s sometimes how life works out. I do hope your readers will check out the Kickstarter and find a reward they like!  There are some really great things there! 
Once the record IS finished and released I will reach out to the Internet radio shows I’ve connected with throughout the years through my time doing NetteRadio. I want to take it as far as I possibly can and I think this is a good first step.
Am I recovered? I think I’m as recovered as I’ll ever be although I can always get stronger, or in better shape, and I work towards that every day. I’ll never be like I was before I got sick. When they told me that at the hospital it made me so mad. I don’t ever want someone else to define me. I understand now what they were trying to say, to caution me and keep me from being disappointed.  This isn’t something I dwell on. I’m certainly much stronger now than I was in April and I hope that I’ll be stronger next April than I am right now.
I would definitely consider touring to support the record. I might do several smaller tours instead of one big tour. That seems like a good way to stay healthy, happy and strong.
 http://www.annetteconlon.com/

Sunday, September 7, 2014

Songs upon songs

We found a stack of songs books — Great American, sing-along, Bob Dylan, bar songs, 'traditionals,' you name it — at a yard sale the other day.  A trove of books giving voice to everything from gambling and drinking, cheating and lying, loving and losing, to winning and bruising, and everything in between. We picked up a few, some likely out of print, and I've been thumbing through the pages, marveling at how such a clear snapshot of humanity can be preserved in a few lines.
Railroads songs, of course, were in the mix:
The wind it blew up the railroad track, 
    It blew, it blew, 
the wind it blew up the railroad track, 
   It blew, it blew;
The wind it blew up the railroad track, 
It blew away up and half way back, 
   And the wind it blew, 
   Holy Jiminy! how it blew! 

As were slave 'day spirituals':
I know moonlight, 
I know starlight
I lay this body down

I walk in the moonlight
I walk in the starlight, 
I lay this body down

And I'm a bit partial to the chapter that included 'Darn Fool Ditties' such as this one:
I had a gal and her name was Daisy
And when she sang the cat went crazy
With delerium — St. Vituses —
And all kinds of cataleptics. 

Yup, you never know what songs will be hits, or persist!
 
There are millions of songs, billions of people, and still some of us write more. Why not?
This moment. This mood. This. Now. There's nothing quite like it.

There's gotta be a song left to sing
'Cause everybody can't have thought of everything
One little song that ain't been sung
One little rag that ain't been wrung out completely yet
Just gotta a little left

 — Gillian Welch 'One Little Song'


Saturday, June 15, 2013

Resonant frequencies: Naked Voice, Skyspace

I once spent the better part of a trip to Europe seeking out empty churches to sing in. Most of the churches in Europe, of course, are ancient, cold, drafty, and have high ceilings, yielding great acoustics and ample reverb. At the time, I'd done some singing workshops with Chloe Goodchild, a wonderful artist and educator who teaches her own Naked Voice technique, which is "dedicated to the transforming practice of  self-awareness and conscious communication skills, through spoken and sung voice." Rooted in indigenous wisdom, spiritual and classical Indian music masters, Naked Voice singing is primal, authentic and liberating. Spurred by those workshops I'd done with Chloe, I'd go into those old European churches, open my mouth and just see what came out.
Chloe is based in the UK, so I haven't kept up with Naked Voice practice, but my exposure to it provided much fuel to keep going with singing and songwriting, and eventually, performing.
Now more taken up with traditional lyrics and songs, I don't sing in empty churches much anymore either. And I'd almost forgotten about Naked Voice until last night, when we spontaneously ended the week with a visit to the De Young Museum in San Francisco.
Friday nights at the De Young are a party and last night a swing band was presiding over a rollicking dance floor when we arrived. It was the first time I'd been to the museum with Kwame, though, and I wanted to make sure we got outside to the sit in the Jame Turrell Skyspace "Three Gems," a piece commissioned when the museum opened which is almost hidden in the sculpture garden. Turrell, like Goodchild, is really working in big mind. He does with light what Goodchild does with voice: his spaces are at once meditative, transporting and energizing.  Three Gems is a subterranean stone installation in the form of a stupa (a dome shaped shrine derived from pre-Buddhist burial mounds in India) with a circular opening in the ceiling. It's as sacred a space as any church, adding up to a unique audio visual environment. We stood in the middle of the space and spontaneously began to vocalize, hitting the resonant frequency and making sound to match the light.  Of course, a bunch of children came into the Skyspace while we were vocalizing to see what was up and join the party, which resulted in all sorts of authentic sounds. It was lovely and spontaneous and primal, and a perfect way to start the weekend.

Sunday, May 26, 2013

Playing out & abouts: SF, Oakland, Walnut Creek

One of the best parts of performing is the variety of venues and people you meet. It's been a busy few weeks of shows about the Bay Area (including one coming up today, see below), we played radio stations and restaurants, brewpubs and cafes, art schools and a drawing room of a mansion. I love this kind of schedule, which is like being a bird flying about from rooftop to tree limb: your perspective, and your experience, is ever changing. The restless traveler feeds on this this: plus it makes coming up that much more
Scenes from the Bread & Roses Volunteer Appreciate Party
welcome, even if you haven't left town...which I'll do soon enough. But for now, I'm getting the set together for
Singing to wine lovers at KC Turner's Acoustic Bistro Series
an early evening at Pyramid Alehouse in Walnut Creek. If you're in the greater East Bay, come on out to Pyramid's beer garden. We're playing 6-9. Check the calendar for more....
The first of my summer dates at Pyramid Alehouse's Unfiltered Music Series dates is 5/26/13

Friday, March 1, 2013

Live Music @ East Village Lounge in Monterey 3/2

I haven't been to Monterey in a while, so I'm looking forward to playing there, this Saturday, March 2. Please join us!

Saturday, March 2nd, 2013

East Village Coffee Lounge

Deborah Crooks in Monterey - 7pm

498 Washington Stree
Monterey California 93940
US 831.373.5601
Price: FREE
 We'll be playing new and old songs. Our first time at East Village Lounge!  Please join us.

Wednesday, December 12, 2012

Our Americana: Aireene Espiritu & Deborah Crooks at Bazaar Cafe 12/15

Saturday, 12/15, I return to the Bazaar Cafe in San Francisco to share an evening of music with the wonderful Aireene Espiritu. Please join us!

Listening: Have Yourself A Merry...

I've spent the past two Christmas's in India, where people appear to have no problem folding Jesus and Santa into the general pantheon that permeates everyday life there. December in India is about a lot of things besides Christmas, and Christmas day kind of comes and goes along with a half dozen other unrelated holidays that happen to fall in the season. So the Yuletide decoration and shopping machine at work in the US seems especially acute to my eyes and ears this year. Trees and wreathes and holiday music piped through elevators and restaurant speakers at every turn. I like a lot of this — more Christmas lights, please! Sure, I want to go to your party — but, suffice to say, there's a lot of truly awful Christmas music out there.
Amid it all, Kwame challenged us to learn some new Christmas songs and lo, we both chose "Have Yourself A Merry Little Christmas" as one of our holiday covers. Turns out this 1944 classic made popular by Judy Garland is among the most-oft performed Christmas songs there is. Everyone from Garland and Sinatra to The Carpenters and The Pretenders, She & Him and Christine Aguilera have had a go of this tune. Even Dylan did it! In any case, it's a good song, in my book, not so much because of its tribute to the season, but it's realization of change and impermanence amid celebration. Here's the version that got it all going:


Songwriters: MARTIN, HUGH / BLANE, RALPH
Have yourself a merry little christmas
Let your heart be light
Next year all our troubles will be
Out of sight
Have yourself a merry little christmas
Make the yule-tide gay
Next year all our troubles will be
Miles away
Once again as in olden days
 Happy golden days of yore
Faithful friends who are dear to us
Will be near to us once more
Someday soon, we all will be together If the fates allow
Until then, well have to muddle through somehow
So have yourself a merry little christmas now.

Monday, December 3, 2012

Artist Interview: The Pete Ahonen Experience


Energetic, funny and passionate about making music, Oakland songwriter Pete Ahonen has been captivating audiences throughout the San Francisco Bay Area with his own brand of outlaw country/folk rock. Upon the completion his debut CD “In the Blood” (Lost Monkey Records), the East Bay native is poised to take his music to a wider audience. Ahonen recently answered a few questions about his influences, writing process and the making of “In the Blood.”

Q Who do you count as major influences?

PA: Mason Jennings, Tom Waits, Townes Van Zandt, [and] Shane Macgowen.

Q When did you write your first song? What's your writing process like?

PA: I learned to play guitar when I was 10. My neighbor was a church music leader and he taught me some stuff. Before I knew it, I was just spending a lot of time sitting in my room alone playing guitar and messing around with stuff to see what I could do. Around the age of 13, my musical cherry got popped, I guess you could say. I started listening to Freddy King and got really into it. I ended up writing a little blues shuffle about a girl who didn’t exist — and that was it.  I was hooked.  I was pretty self conscious about my voice at first, and then one day someone showed me Jimmy Hendrix. I learned that he was self conscious about his voice too, but I was so blown away, not only by his guitar playing — he was a killer songwriter, too.
Pete Ahonen and bassist Andrew Gibson.

I always enjoyed being creative and writing short stories and stuff. I could play guitar pretty well so I started turning those short stories into little ditties. My writing process is kind of like... I sit down, try and cultivate a mood... I’ll pull out a snippet of a line I wrote down while I was walking around somewhere, and try to channel a vibe or a feeling about it. If I sit down with the intention of writing a song, it’s bullshit. Nothing comes out. My muse is really about keeping myself fed with information and experience in order for something to come out. I spend a lot of time just sitting on my porch, and my neighborhood is kind of crazy so I get a lot of inspiration just from that. It could be a couple having a fight, or a drunk guy having a good ol time, or this a lady whose always looking for change in the gutters. At that point I’ll kind of hear the guitar or notes in my head, so I’ll try to hum a line and then it just sort of happens from there. And then other times, I’ll be trying to write a song for like two years and I just can’t get it.  It never gets finished. You kind of just have to let it come naturally.

Q How did you go about selecting the songs for this CD?

PA: Kind of like the song writing process, it’s in the song itself. The song will tell me that it’s the one for the album. Before going into the studio, I had a lot of songs in the hole, or at least parts of songs. And I think a theme kind of presented itself during the recording process. We recorded the first song, for example, and we were all like, wow,  this is a really special tune. And going in... I had no idea it would turn out like that.  I really think the musicians I play with are a huge part of that too. Every song we recorded had a different theme and the content wasn’t really the same, but in the end the ones we picked felt like they were from the same tribe and they were meant to be together on the album.

Q Describe the recording process for you? Did songs take on different directions in the studio?

PA: I think the songs took on a bit of a different direction, especially musically. The lyrics, and the tone was basically pretty dialed in already, but musically we would sharpen different things to kind of add to that mood. But I think that’s what happens when you work on something creative, everyone has an idea of what something should look like in their head...and your songs can be shitty if you go into it with that approach. You have a general idea, but it doesn’t mean anything until you put your hands on it and start working on it, and the smallest thing can change everything. You have to be flexible and open to where it can take you. I think it depends on what you value, and what you’re after. When you’re singing with intent and emotion and you say ‘I want to play my song well’, and you do it with feeling - maybe there’s a squeak, or something’s out of tune, but it doesn’t really matter. To me, songs are more about the experience and not about it being perfect.

To buy "In the Blood" and find out about Ahonen's upcoming live shows, visit: http://peteahonen.com/

Wednesday, October 3, 2012

I'm recording a new project...

...and I'd love your help with completing it!   I'm partway through recording my latest release and am asking your help in taking it to completion. Make a donation and you'll be the first to receive the new tunes as well as special benefits, including pre-release specials and other perks. The songs I'm currently recording were written over the last three years of playing, writing, performing and traveling (including two several-month-long forays to India to study yoga and Carnatic voice). Exploring faith, relationship, lineage and legacy, I'm enthused both for the project's lyrical content and the chance it's giving me to fill in my Americana palette that much more: I'm working with noted jazz artist and composer Art Khu — whose played on previous recordings — in the producer chair.
I'm halfway there....but your donations are crucial to covering the next half of my basic recording. Please take a look and listen to see how to help me finish my project. Many thanks! Deborah

Monday, July 30, 2012

Listening for the muse

where does it come from?
guitar inspection at Off the Grid
new works in progress....
Several children were extremely interested in my guitar during set-up for a gig the other day. I love how these little girls where drawn to the guitar, amazed at the sound that was produced, even before the show got going. They knew something was in there. Something might happen. Getting that 'something' is the trick of course. At the same time I've been playing a lot of shows this summer, I've been going through writing done in the near 3 years since I last recorded. It's always interesting to see what accrues over the months and now years (how did that happen?). What new themes arise, what recurs again and again. While not everything that was produced from strumming on my Martin (mostly, though the Desio is getting in on the writing action) is going on record, I'm excited to have a new project coming together.  In the meantime, most of my previous CDs are available at CD Baby. And this week, if you buy any of my MP3s at CD Baby  between 7/30 & 8/3 & I’ll get 100% of sales. Check it out: Deborah Crooks Music Store

Sunday, June 24, 2012

Kaitlin McGaw's Tuesdays in June

This will be fun! Kaitlin McGaw's Tuesday residency is wrapping up June 26. I'll be there as one of her guest artists and so will the fabulous Valerie Orth. Good music. Original Music. Good people. Venerable Cafe. Come!

Monday, June 18, 2012

MUSIC BLOG WILDY’S WORLD JOINS FORCES WITH SONGWRITER DEBORAH CROOKS TO BENEFIT THE AMERICAN CANCER SOCIETY

I'll write/record a song for you... for a cause! Check out Wildy's World Ebay Auction: Wildy is raising funds for Relay for Life to benefit the American Cancer Society:  http://bit.ly/KeogUK.
From the official release:
"Music blogger Wildy (will-dee) Haskell (Wildy’s World) is offering an eBay auction from June 17-24, 2012 of an original song to be written by singer, songwriter and yogini Deborah Crooks.  The winning bidder will fill provide information about their wishes for the song in the form of a survey, and Crooks will then interpret this into song in her unique musical style.  All profits from this auction will be donated to The American Cancer Society through Wildy’s Relay for Life team, The Cave Crashers, who will be participating in the Geneva, NY Relay for Life on June 28-29, 2012."

WHAT: Auction of original song by Deborah Crooks
WHERE: eBay http://bit.ly/KeogUK
WHEN: June 17, 2012 – 8:00 PM EDT through June 24, 2012 8:00 PM EDT
CONTACT: William W. Haskell 716-691-7849 wildysworld@gmail.com

Sunday, May 6, 2012

Supermoon and super songs

I had the good fortune of seeing Roseanne Cash at The Herbst Theatre in San Francisco Saturday. Touring in support of the release of her new  Essentials CD, which seeks to distill her 32-year music career, the show served as a class in impeccable musicianship and song selection. Singing songs from from her most recent albums The List and Black Cadillac, and reaching far back into her catalog for 'Seven Year Ache' and 'I Don't Know Why You Don't Want Me,' every song sang was a textbook example of how a great lyric and melody is perhaps best served by a straightforward presentation— she was performing as an acoustic duo with John Leventhal. I was very slightly disappointed that they didn't fit anything from Interiors or The Wheel, her albums from the 1990s that first turned me on to her music, into the set. That said, a great cover of Bobbie Gentry's 'Tallahatchie Bridge' and an encore featuring  The Band's 'The Weight' in tribute to Levon Helm, made up some for those omissions.
Needless to say, the show was too short for my tastes. It also spoiled us for listening to much on the drive home. With a beautiful 'supermoon' hovering over the city and the Bay, we couldn't find anything on the radio that didn't seem to taint our re-educated ears.

Wednesday, February 8, 2012

Artist Interview: Lindy LaFontaine

One of the many cool music events about the Bay Area is Kate Burkart's Under the Covers Acoustic Series, which features three artists performing covers of three other artists in rotating sets. On the bill at this month's Under the Covers is Berkeley singer Lindy LaFontaine who'll be performing the songs of Peter Gabriel. 
I first met Lindy via her fellow Liverpool Institute for Performing Arts alum Francesca Lee, was impressed hearing her sing at a gig in Oakland shortly thereafter, and thought her that much more cool when I learned she covered  “Low” by one of my favorite bands, Cracker. That effort won Lindy 'Best Cover Song' in The 10th Independent Music Awards and gives you an idea of the caliber of homage she's likely to give Peter Gabriel on Friday. I asked Lindy about her process as well as what else music fans can expect from her this year.
 
Q: You're playing Under the Covers this Friday. How did you go about choosing your artist and selecting specific songs?
LL:
Originally I had chosen a different artist, Tori Amos. I was ecstatic at the idea of doing an impersonation and trying to imitate her vocal style and overall performance. Shortly thereafter I had a conversation with Kate who expressed that the essence of the show was to do my own unique interpretation of the music. I love to cover music, but what was challenging was finding just one artist with several songs I can emotionally relate to. My first thought was Nirvana because I love to bring out the classical essence in their music and I have at least 4 songs in my repertoire already. But for the same reason I decided to go with someone I hadn't yet explored creatively. Peter Gabriel's music is so versatile and inspiring to me that it was a very easy choice. The song selection was a cinch. The songs selected me.

Q: Who are your 3 biggest musical influences? Who currently inspires you?  Any songs you're obsessively listening to?
LL:
Tori Amos for her immense talent, her creativity and her passion. Peter Gabriel creates arousing cinematic atmospheres, his lyrics are thought provoking and often politically driven, and I am very into the South African influence in his instrumentation. The third is Michael Jackson. He's the ultimate performer. I could fill a page.

I'm listening to a lot more electronic music these days. It takes some time to sift through the crap but there are some wobble basses that will shake you to the core.  I especially like it when there's a mix of acoustic and electronic. It creates a laid back but very powerful feel. (See acoustic Trip Hop artists such as Morcheeba, Zero 7, Air, and Massive Attack...)

I'm obsessively listening to Peter Gabriel songs right now, lol. I thought they'd be a lot easier but they're kind of kicking my ass. And I have to know these songs inside and out so that I can finally make them my own.  There aren't enough hours in a day, but it's a high quality problem :)

Q: You've lived a lot of different places. What's keeping you in the Bay Area?
LL:
I was born in Berkeley but grew up mostly in Egypt.  I've lived in several countries but never for longer than a few years at a time. My family is overseas still (dad in Egypt, mom in Afghanistan) and I have no siblings so I can choose anywhere as home! ... And it changes. Home is where my piano is. Honestly, if it were up to me, I'd love to be in the UK but they won't let me in unless I marry one of them. I already tried that and it didn't work, hehe. I lived in Liverpool for 4 years in college and I felt a very strong connection to the UK. Speaking as a musician, the place I really want to be is the place with best music and music scene. My precept being, the best music scene is wherever you can tolerate the Pop. For me, that's England.

But Berkeley's OK too! :) If I have to be in the US, this is the only place I will live. I tried New York, DC, Las Vegas and various short stays in other parts of the country. The Bay Area is, as far as I'm concerned, its own country.

Q: Do you have any projects in the works? What can listeners expect from you in the next 6 months?
LL:
I'm working on finishing my full-length album, "This too, In time, Shall pass". It's been in the making for longer than I'd like to divulge... but I can honestly say that this thing is gonna be done within 6 months come hell or big earthquake. The poor thing has been dragged around from state to state, producer to producer and has now finally landed in my personal studio. I learned a very valuable, albeit a lengthy, costly lesson. I now know how much of a perfectionist I am when it comes to my music so I must produce it myself. I'm workin on it. ;) 
I've also got a few side projects going. One is very complex, involving multiple musicians, multimedia, live performances and has been in the works for a while. It's very cool and you'll know it when it happens.... I'm always doing various studio session gigs and will continue to play live performances around the Bay area. I have a gig coming up in LA at the infamous Whisky a Go Go. More details to come...
 I'm full of surprises! My suggestion...sign the mailing list.
 Lindy LaFontaine performs the songs of Peter Gabriel at Kate Burkart's Under the Covers music series Friday, February 10 at 8pm. at The Subterranean ArtHouse in Berkeley,

Monday, May 23, 2011

Bird's Nest Jazz Parties

The weekend came with one of those happy, local discoveries: Bird's Next Jazz Parties in Oakland. One of my voice teachers, the master vocalist and jazz singer Faith Winthrop was performing at the concert series curated and run by singer and host Cathi Walkup. What a treat to sit in a loft living room with a bunch of other music lovers as Faith entertained and wowed us — she is really one of the best and most erudite singers I've ever heard live — with a set based on the work of Mabel Mercer and Johnny Mercer. Backed by Art Khu on piano and Chuck Bennet on bass, it was truly a GREAT afternoon of music (and it included a break for a home-cooked meal!). Faith mentioned some more local shows coming up in the next 6 months: check her website for info. Likewise, Bird's Nest presents its listening concerts 'in support of jazz community, with the finest in music, food & friendship' each month.