Bay Station Love the Bay 2019: Episode Two featuring Yours Truly, Michele

Bay Station welcomes chanteuse and drummer Yours Truly, Michele aka Michele Kappel to the sailboat Espresso, for an afternoon conversation and concert on the Oakland Estuary of San Francisco Bay.

Postcard: Bay Station's Love the Bay Day 1

Bay Station spent a long Memorial Day weekend, sailing around the San Francisco Bay, playing music with a bunch of area songwriters. Check out highlights from Day 1 when they say from Alameda to San Francisco and meet up with SF songwriters Nina Jo Smith and Peter Whitehead.

September Songwriter Shows in San Carlos and San Francisco

Two fun songwriter series' to check out in September, at Clock Tower Music and the Bazaar Cafe:

SEPTEMBER 10, 2016 
Jamie Purnell's 2016 Clock Tower Music Series
Clock Tower Music
676 Laurel St
San Carlos, CA 94070
8PM  $10

SEPTEMBER 20, 2016 

Paul Griffiths Songwriter Residency
Bazaar Cafe
5927 California St
San Francisco, CA 94114
7PM  with Paul, Deborah, and Micheal McNevin

Songwriters in the Round at The Octopus Literary Salon March 16, 2016 with Annie Bacon, Maurice Tani, Matt Langlois and Deborah Crooks

The second of a new series featuring Bay Area and touring music artists. This month features:
Annie Bacon
www.anniebacon.me/
Matt Langlois
http://welcomemattsf.com/
Maurice Tani
www.mauricetani.com/
host Deborah Crooks
www.deborahcrooks.com

The Octopus is a literary salon,* re-interpreted in the 21st Century to engage and entertain readers, writers, musicians, artists of all ages in Uptown Oakland, California. The Octopus Literary Salon includes a most excellent café with delicious food, beer & wine, a small-scale specialty used and new bookstore (we sell used records too!), and a space for public readings and discussions as well as other literary spontaneity and, of course music performance.

Bird Songs II: "I Like Birds" "Broken Wings Heal" and "Proud Penguin"

More selections from the world of contemporary bird-referencing songs. 

"I Like Birds" by The Eels
This punchy number caught my ear more than a decade ago when a friend turned me on to The Eels. No birder pretension here, just simple bird appreciation:

"I can't look at the rocket launch
The trophy wives of the astronauts
And I won't listen to their words
'Cause I like birds

I don't care for walking downtown
Crazy auto-car gonna mow me down
Look at all the people like cows in a herd
Well, I like birds

If you're small and on a search
I've got a feeder for you to perch on"

"Razor Wire" by Carolyn Aiken
There are bird references all over Aiken's latest recording, Broken Wings Heal, and the title track itself is a confident ode to healing. But "Razor Wire" is the heartbreaking gut punch of the album, a song I first heard live at The Freight a last summer:
"behind razor wire
sings a song bird
her heart beats strong
her spirit flies free
undaunted and sublime
she sings to the sun and the wind and the trees
she remembers in her dreams
Outside her confines
she knows what it’s like
flying tandem with her kind
free to dive and climb and be
and she…dreams
of the time she will fly
and readies her wings
calming her mind
knowing that all that stands between her and the sky
is time."

 
"Proud Penguin" by Jamie Purnell
Purnell is a Bay Area songwriter I met at FAR-West. He performed this song live the other night at the KC  Turner Presents Shhhongwriters Open Mic at Doc's Lab. A shorty and powerful ditty about flying, swimming, being only who you can be and self acceptance, I couldn't help but love it. 
"hey there seagull, it's fun to swim in the sea/I may not be able to fly, but I'm happy to be me."

Know of a fairly-recent (post-2000) "bird song" I should hear? Please email me! 

Songwriters in the Round at Oakland's The Octopus Literary Salon, January 20, 2016

A new series at this heart-of-Oakland center for the arts! Every other month, featuring Bay Area and touring artists playing their music in the round. January's lineup is great!:

Melissa Phillips (with James DePrato)
www.melissaphillipsmusic.com/
Michael McNevin
www.michaelmcnevin.com/
Paul Griffiths
www.paulgriffithsmusic.com
host Deborah Crooks
www.deborahcrooks.com

The Octopus is a literary salon,* re-interpreted in the 21st Century to engage and entertain readers, writers, musicians, artists of all ages in Uptown Oakland, California. The Octopus Literary Salon includes a most excellent café with delicious food, beer & wine, a small-scale specialty used and new bookstore (we sell used records too!), and a space for public readings and discussions as well as other literary spontaneity and, of course music performance.

On the path, less so on the blog

"I am circling around God, around the ancient tower, / and I have been circling for a thousand years, / and I still don't know if I am a falcon, or a storm, / or a great song." — "The Seeker," a poem by Rilke in his Book of Hours (translated by Robert Bly)

Thank you for reading Bird in the Tree! Though I continue to write, I'm going on a bit of a blogging hiatus. Writing is much on my mind, in my hand and in song, though blogging (as I've been doing it) hasn't felt like the most accurate expression for me at the moment. While I play with other forms, you can find more of what I'm up to that's ready for eyes and ears at my Music Site HERE and on Soundcloud HERE. I'm also a contributor to No Depression which you can find HERE. And finally I'm a big fan of Instagram.  Stay in touch!

Patterns, tracks and a lone #pelican amid the gulls and geese. #Alameda #beach #sfbay

A photo posted by Deborah Crooks (@deborahrcrooks) on Dec 4, 2015 at 12:09pm PST

Bazaar Stock #8 December 5 at Bazaar Cafe

 KC Turner Presents: Bazaar Stock #8
December 5, 2015 10am-10pm
Bazaar Cafe
5927 California St
San Francisco, CA 94114
I'm pleased to be a part of Bazaar Stock #8, when KC Turner Present 36 (!) local musicians at SF's venerable and loved songwriter haven, Bazaar Cafe. Free and all ages, a tip jar will be passed with 100% of the proceeds to be donated Music in Schools Today. I play at 3pm and encourage you to come for as much of the event as you can! It's going to be be a great display of original music.

Indie Rock, Twang & Twilight: October 24 at The Starry Plough Berkeley, w/ Laura Benitez & the Heartache

Two female-fronted acts take the stage on this autumn evening, sharing original songs of love, life, and the pursuit of damn good whiskey.
 

Laura Benitez and the Heartache use the three chord tools of country music to tell the simple, unvarnished truth about love, too much whiskey, and the call of the road. Their songs range from honky-tonk shuffles to rock 'n' roll numbers to sweet old time waltzes, and cover everything from unwed motherhood ("Me or the Baby") to mean drunks ("Don't Wake the Devil"), with a whole lot of heartbreak in between. Their twangy honesty shines through in straightforward arrangements, crystalline harmonies, and spare instrumentation. Beware their catchy hooks and sweet melodies - these stray puppy tunes will follow you home and become your most steadfast companions. www.laurabenitezandtheheartache.com

California songwriter Deborah Crooks' lyric driven and soul-wise music draws on folk, rock, and Americana and is often compared to Lucinda Williams and The Cowboy Junkies. Her music ventures into everything from funk and reggae to rock and blues, reflecting her expansive and eclectic tastes, a sound which has evolved over her years studying writing and poetics at The Naropa Institute, voice with Chloe Goodchild and Mysore V. Amba Prasad (India), and cowriting and collaborating with her Bay Area peers. She’s released three CDs and several EPs of critically noted original music, including 2015’s Something Special, which reflects both her California Roots and global peregrinations. “Quite simply smart and engaging music." — RockWired Magazine www.deborahcrooks.com

Alameda Songwriters Roundup: May 29 at High Street Station

A special evening featuring six dynamic songwriters from the Los Angeles and the San Francisco Bay areas presenting their songs in-the-round. Call (510) 995-8049to reserve a seat! We've been having a great time at these events and this month features a great group of artists representing all corners of California

Alameda Songwriter's Roundup at High Street Station Cafe, featuring:

Deborah Crooks
www.deborahcrooks.com

Josephine Johnson
http://www.reverbnation.com/josephinejohnson

Lisa Graciano
http://www.lisagraciano.com/

Michele Kappel-Stone
http://michelekappelstone.com/

Mindy Dillard
http://mindydillard.com/

Pi Jacobs
http://pijacobs.com/

10 Ways to Get Unstuck & Finish What You Started

Making stuff — songs,  stories, magazines...pies — has been my through line for most of my life. Creating is for me one of the coolest things about being alive. How amazing it is that humans can make things out of 'nothing?' How much one can find out about themselves through doing.  Now I chart my fluidity, or my stuckness, by how my projects are proceeding. Usually there's a match up to what I'm feeling.  I'm likely stuck if I'm feeling frustrated, cranky, oppressed somehow or over-tired (in a way that sees sleep as a way out rather than as a restorative). I'm usually stuck if I'm feeling fear of some kind,  or that my circumstance is compromised. Over the years I've been fortunate to find several practices that have worked for keeping me, or getting me, back on track when I'm stalling out. As I've been working on getting my arms around a big project that has eluded me for some years — years in which I've actually completed lots of projects (albeit other projects) — I've been turning to my favorite ways — that don't involve plane tickets or other large purchases — to get unstuck a lot!

10 Ways to Get Unstuck & Finish What You Started

1. Do some yoga. Even five minutes of breath and movement can change your perspective. If you've never done yoga, try a beginner class or commit to learning sun salutations. I have a regular yoga practice so this has become built in. Now, if I'm resistant to my yoga practice,  I do what I consider my 'minimum RDA:' 20 minutes of my regular practice, including sun salutations, a few standing and some seated poses.
2. Vocalize. Another built-in for me as I regularly chant and I sing.  When I was going through a low period, I found these were things that made me feel better. Sound vibration and music affect us physically, psychologically, emotionally and spiritually. Make a sound=shift in consciousness.
3. Go for a walk outside, preferably up a hill. For most of my life (until recently), I've lived near some geographic feature I could ascend. Going for a walk + changing the view +breathing the air = gear change. But you don't need a hill. A walk around the block can do wonders. My new15 minute loop near my house gets my blood moving and... doesn't take me too far from what I'm working on.
4. Make/bake something easy. Often my stuckness is a result of being daunted by a project. Making something edible reminds me I can complete a project and also make something useful. When I was young, I liked to bake. Now I've been more into raw, vegan snack type things, that don't take all day and are truly nourishing.
5. Set a timer. Sometimes thinking/worrying about the thing I'm resisting — making that call, writing the next paragraph, paying the bills,  learning the new song that hasn't been getting in— than actually doing it. Setting a timer for a amount of time that's not overwhelming — 10 minutes to half hour — helps gets me started, which is key, and usually leads to completion.
6. Dance. Blast a favorite tune and go to town...even if town is in your living room. Dance is play and counters the over-seriousness business.
7. Mix up your usual routine so your usual sequencing is different.  Perhaps it won't offer up any resistance when approached at a new angle.
8. Take part in a challenge. I'm a big proponent of 'write a [novel, album] in-a-month' type challenges or Instagram # sharing challenges. They're manageable, they're contained and it helps to know you're not alone.
9. Reach out. Connect to another maker, or someone who is doing what you aspire to, or simply an old friend. Up the ante by writing a real old-fashion letter.  Write as a fan or to say thank you. Or write your friend to tell them the things you love about your life right now. Make it equal parts gratitude list and reconnection. Put your letter in an envelope with a real stamp. Walk it to the real mailbox.
10. Take time from social media. See what the vacuum left by Twitter and Facebook yields. 
11. Make a list. 10 projects you admire.  5 next steps to take. 15 things you've already completed. All the things you do well. Wow, look at that!

Songs From The Fog: 18 Songs Inspired By The Bay Area : A Compilation of Nine Bay Area Songwriters

  I'm very pleased to be included on this compilation of Bay Area songwriters, a project spearheaded by two masters of the songwriting form, Maurice Tani and Jim Bruno. On Wednesday, March 25, most of the participating artists are gathering together for "an old San Francisco-style, underground evening of song" at Doc's Lab in North Beach.

 "What makes San Francisco a mecca for musicians and songwriters? It’s hard to say. Maybe it’s the desire to follow in the footsteps of Jack Kerouac and Neal Cassady. But since the beginning of the modern musical era, songwriters as diverse as Jerry Garcia, Sly Stone, The Jefferson Airplane, Green Day, John Fogerty have called the Bay Area “home.”

The Golden Gate still inspires songs from the hearts and minds of its talented inhabitants. And we’ve combed the bars, backrooms, coffeehouses and open mics to find an outstanding group of nine new and established Bay Area tunesmiths and bring them directly to you."
SONGS FROM THE FOG: A compilation of 9 Bay Area Singer Songwriters.
Featuring: 
Jim Bruno
Deborah Crooks
Carol Denney
Paul Griffiths
The Keller Sisters
Claudia Russell & Bruce Kaplan
Mick Shaffer
Maurice Tani & 77 El Deora
KC Turner

Coming up Friday: Alameda Songwriters Roundup, Friday, January 30, 2015, 7pm

Please join me this Friday in Alameda for night of original songwriters playing in the round, featuring some of my favorite Bay Area songwriters. 

Alex Walsh, Amy Obenski, Dan Seidel, Deborah Crooks, Johnny Nash and Paige Clem  LIVE 

High Street Station Cafe

1303 High St,

Alameda, CA 94501

$5-10 sliding scale. High St. offers a full dinner and beverage menu. Kids welcome. Call for a dinner reservation! 415 355-7888

 

Hear Alex's latest at his Blog

Desert Postcard: Skywatching and songwriting

So yes, there was a lot of sky watching going on last week, and landscape viewing and generally lounging about. But also a lot of writing and  co-writing, the KCDC mash-up managing to complete 8 songs and counting. Time & space add up to somehow accessing the well a little better. It's a good feeling. KCDC has some lives shows coming up Feb. 20 in Alameda & March 8 in Modesto. Perhaps a new tune will get added to the mix!

Songwriter Linda McRae Smooths Life's Roughest Edges with Song

Less than a verse into the first song Canadian-born, Nashville-based Linda McRae played at her 2014 FAR-West Showcase performance, my husband and I turned to each other and said 'oh yeah.' Playing a banjo and singing in a strong alto, McRae went on to offer a masterful and stirring set of songs. Songs with a capital S that took one on a sonic journey while steadily cracking open your heart. One, "Rough Edges & Ragged Hearts," the title track to her 2012 Cd, contained one of the best lines I've heard: "living is a dying art." Another song was based on the words of a Folsom Prison inmate she'd met through her involvement in the Arts and Corrections Program at California’s New Folsom Prison. By the end of her set, tears were streaming from our eyes.

As became evident upon further inquiry, McRae wasn't just a stellar artist, she was also a stellar person, both continually creating and giving back. McRae went solo in 1996, after a decade spent with the popular Canadian folk band, Spirit of the West, and has since released five CDs of her own work. Routinely charting in the top-10, performing in festivals throughout North America, she's collaborated, recorded and performed alongside a whose who of roots-based artists including Gurf Morlix, Neko Case and Bruce Cockburn. And the alliance with New Folsom led she and her husband, James Whitmire to start Express Yourself Writing Workshops for other disenfranchised communities in 2011, adding to an already full touring and recording schedule while further fueling her creativity.

Amid a month-long Escape to Create! residency in Florida that she was deservedly rewarded, McRae answered my questions about her work as an artist and teacher and all she'll be up to in 2015.

Q: Tell us about your upcoming year: Are you playing anywhere new? Any key dates or projects you're especially excited about

LM: 2015 is shaping up to be an incredibly exciting year. I’ll be touring all over North America in support of my new recording being released September 15th on my new label Borealis Records. I’m really excited to be working with Borealis. They have been incredibly supportive, and their promotional team was instrumental in my career retrospective, Fifty Shades of Red, hitting some “best of” lists for 2014. It was also # 5 Top Canadian Album on the Folk DJ Charts.

The label is currently working directly with my manager/agent/collaborator and husband (not necessarily in that order) James Whitmire on an October/November North American CD Release tour in support of the new recording. Those dates will be announced in the coming months. I also have a number of festivals I will be performing at this year including Artswells in BC where I will also be teaching a week-long songwriting course. Other festivals include South Country Fair in Alberta where I was made the honorary mayor last year, and a new festival in Ontario called the Kingsville Folk Music Festival. I’ve also just been asked to perform for the first time at Winterfolk in Toronto this Feb. 13-15/2015.

Q: Is this a first-time residency for you at Escape 2 Create? Do you have a 'typical'  writing process? Will you be writing material for the new recording on retreat? 
LM: The bulk of the material has already been written but there will definitely be some additions as a result of my Escape 2 Create residency. I guess my typical writing process usually involves juggling half a dozen things at the same time, i.e. touring, daily household activities, social networking, publicizing my performances, etc. which in itself is a full-time job. It is an incredible luxury for me to have an entire month in which to write new material and I am relishing every second of my time here. 
Escape 2 Create choses twelve interdisciplinary artists though a rigorous juried application process each year, six in January and six in February. Each artist’s private residence is donated by local Seaside, FL, community members and is tailored to each artist’s requirements. This is my first residency and having been chosen to participate has given me a sense of validation. I am also enjoying the fellowship and inspiration I am receiving from my fellow artists and the residents of Seaside. I have already finished four songs in the week I have been here.

Q: How do you know when you're ready to go back into the studio? You've worked with a lot of great producers: whose on deck for this next project? Any new sounds you'll be exploring or would like to? 
LM: I guess I know when I’m ready to go back into the studio when I have at least 15 songs that I feel are really strong. I usually like to record 12-15 and then put 10 or so on the finished release. I feel I have grown as a performing songwriter and each recording I think has illustrated that. Having the added perspective of collaborating with my husband and other co-writers has definitely helped me grow as a songwriter as well. Recording starts right after I finish my residency here. The timing couldn’t be more perfect as I will have plenty of time here to get to know the songs inside and out. I like to have them in my head and under my fingers before I record them. 
I have been fortunate when it comes to working with producers and great musicians. I’ve had wonderful experiences recording with each producer I have worked with, Colin Linden, Gurf Morlix and Marc L’Esperance. Each of them brought something new to the table and I am confident this one will continue in that same vein. 
This time, I’ve decided to work with my old friend, and award-winning producer and guitarist, Steve Dawson. I am really excited to be working with Steve on this project. We started pre-production before I left for my residency and he had some terrific arrangement ideas. We also did some co-writing together, and it just so happens one or two of those co-writes will be on the new CD. 
I’ve become really interested in acoustic blues styles and as he is well-acquainted with the idiom he’s a natural choice. I’m hoping to achieve a raw sound on this recording with real deep grooves you can drive a truck through. For me, it’s all about the groove. If the groove isn’t there you have nothing to build on. Start from the bottom up and away you go. I like to keep things pretty spare as well without a lot of unnecessary frills to clog things up. He’s a master and I know it’s going to be great. 

Q: You're a songwriter and writing facilitator/teacher. Can you discuss how you started Express Yourself Writing Workshops and how teaching/facilitating informs your own work?
LM: The idea for our writing workshop came from our involvement in the Arts and Corrections Program at California’s New Folsom Prison. My husband James and I were there for the first time in the fall of 2011, and we were so moved by the response to our visit that we decided to carry it through further with a focus on disenfranchised members of the communities I perform in. It has turned out to be a life-changing experience. In the past three years since our first visit to Folsom we have worked with approximately 1000 individuals in at-risk youth community facilities and correctional facilities. We have also worked with people in detox centers, veteran’s hospitals, and various adult correctional facilities with both male and female inmates. Our experiences talking and working with everyone involved has definitely had an influence on my writing. My new CD will include songs written as a direct result of some of these experiences, including a song I wrote with a New Folsom inmate who is serving life without parole. His name is Ken Blackburn and he is 73 years old. I think it is one of the best songs I have ever had the opportunity to be part of. Ken wrote the lyric and I wrote the music.

Q:What can listeners and fans expect after March 2015?
LM: I guess the biggest thing is my new CD coming out. I’ll also be doing some shows with two other wonderful artists in the DC area in May Mary Battiata (Little Pink is her band name) and Karen Collins. Mary and I were at a music camp this summer at the Augusta Heritage society and Karen was one of the instructors there. The name says it all: "Women on the Verge! A Night of Traditional and Alt Country."
You can find all my tour dates, music, epk and workshop information at http://lindamcrae.com

https://m.youtube.com/watch?v=19A0f_69bzI

https://soundcloud.com/linda-mcrae/sets/rough-edges-and-ragged-hearts

Read.Eat.Listen: Rainy days & Wednesdays

'Mad Scientist' is my term for someone who is passionate about something: their art or science or whatever. Something that keeps you turned on even if you haven't talked to anyone all day. Rainy days are made for mad scientists and I've been taking a cue from the mad scientist handbook, enjoying the weather, wood-shedding, holiday prep, recording prep (KCDC goes back to the studio this weekend), working on the house and otherwise wrapping up 2014 and looking ahead to the new year.

(I've also been getting up early and catching some lovely morning light: including this shot from downtown Alameda over the weekend)

READ: I was happy to discover there's a Mad Scientists Book list "Books involving predominant mad scientist characters." Some, I've read or know about (Jekyll & Hyde, Frankenstein, etc) but I may bookmark the Girl Genius series for days when I need some extra oomph

EAT: It's all about soup these days. And I'm having a week of loving Beets. This Vegan Creamy Winter Beet Soup from the Clean folks is pretty grand.

LISTEN: All sorts of good sounds have been released of late. While driving around last week, I heard an interview/performance by Pieta Brown and her dad Greg Brown that made me want to keep finding excuses to stay in the car. The music was great and the banter was, too. I couldn't figure out how to find the archived recording when I got home, but I did dig deeper into Pieta's latest release "Paradise Outlaw" which contains this apt-for-the-week tune, "All My Rain." 

Artist Interview: Trouble No More for Corinne West

After more than a decade of touring the globe, California songwriter Corinne West put her guitar down, moved to Austria, and spent more than a year working on visual art. Instead of taking her away from music, the break served to bring her deeper into the creative territory she's mined on four well-received collections of original music. In 2013, she returned to the Bay Area, making a seemingly effortless transition back to where she left off: forming new collaborations with top players, showcasing at the recent FAR-West Conference, and writing a new batch of songs for what will be her fifth recording, TROUBLE NO MORE. Amidst a crowd-funding campaign to support the new work, Corinne discussed her time away from, and joyful return to, a life immersed in making music. 

Q:  After a long run of touring and living abroad, you're back living and creating in the Bay Area. How is it to be back and how is it shaping your current work?

CW: I am quite happy to be back in California, (although I do miss Austria.) My current body of songs have been deeply influenced by the year I spent in the Alpine mountains, and my experiences leading up to that time. Returning to America provided distance and space to reflect on what it meant in my life to be away from home, and what it means to have a true home away from home… which lead to the fertile ground of contemplating the meaning of home in the first place. 

Q: Tell me about your break? Did you plan it consciously or did it just evolve?

CW: In 2011, after 10 years of full-time touring, and on the back-end of a two-year duo project, I took a sabbatical from music completely and lived in a village in the Alpine mountains in Austria for 13 months. I had been moving at such a fast clip that I began to lack a connection to what I was doing and saying and feeling during performances. All the pieces were moving, yet somehow on a soul level, I wasn’t there. It was time to recalibrate and figure out what held meaning for me, and the only way to really address this was to flip the switch, and pull the entire plug out of the wall. When I stepped away from my identity as a musician it got very very quiet. In the middle of that silence I had the powerful and often difficult experience of looking myself in the eye and asking myself what it means to me to create for a living, why am I doing this - and what am I doing. 

Q: You practice multiple art forms (visual media, etc). Is there a typical rhythm to your days creating? 

CW: I am finally at a place in my life where the mediums I work in are all informing one another. If I am working on mono prints, I am infusing the work with the music I am listening to or writing. In making the new record TROUBLE NO MORE, I will be creating the artwork for the CD lending a visual reference for some of the sonic landscapes in the music. It’s all one energy with different outlets or manifestations. So to answer your question, every day holds one facet or another of creation, and the rhythm of the day is a blend of letting it unfold, and keeping in time with the tasks at hand. 

Q How was writing this collection different (or similar) to your past projects? Do you have an idea of what the songs will be about/what rhythms, etc, when you start or are you a fairly organic writer? Why did you choose Redwood Canyon to write this collection?

CW TROUBLE NO MORE has her own character for certain. Some of her songs were written in 2011 as co-writes. Then there was a huge sabbatical from music and a 13-month life in a foreign land. Then a return to music, and a return to songs that have been existing in limbo for a year. In addition, there are pieces that were written very recently, so there is an arc to the record, of time, and change. I would say this is the most intimate and directly autobiographical record I will have offered. At the same time there is a mythic cycle underneath the pieces —  the vulnerability of unity, the pain of leaving familiar ground and love, the loneliness of a desolate heart, and the diamonds gathered (for the sharing) for taking a journey into the unknown. Universal principals through one person’s experiences. It’s everywhere… I just happen to be someone who writes and sings about it. 

The songs were written in the redwoods in Marin county. This California canyon is majestic, and has an abundant history of songwriting and music, a bit like Laurel Canyon. It just seems to be in the air — when one sits to listen and write it out. 

I would have to say, yes, I am a fairly organic writer in that I don’t have a formal process at all. Being quiet and undistracted is vital. I feel the creative process once “in” it, is quite hypnotic and trance-like. I am also a hypnotherapist, and I use self-hypnosis to inform my writing. I like to go deep inside and see what can be brought to the outside. 

Q:Tell us more about what you have planned for the recording. Are dates set, studios booked? Where do you see yourself a year from now?

CW: TROUBLE NO MORE will be recorded in Berkeley. It is my hope that the recording will be wrapped by the end of December. There are some wonderful players lined up for the tunes. This is my 5th studio record, and I have never embarked on crowd-funding, but this time, it’s needed. We have been focused on the campaign so that we can get in the studio and get these songs out into the world. 

Where do I see myself a year from now? Shoot… hopefully smiling at the day with my hands deep in the next batch of fresh music. 
For more information visit http://www.corinnewest.com/

Artist Interview: Songwriter Melissa Phillips

East Bay artist Melissa Phillips has steadily attracted new fans since leaving the songwriting gates in 2012 with the release of her debut album "Fits & Starts."  A song from the collection, "Centralia," was selected for the KFOG Local Scene 10 compilation (2013), and she  regularly appears at notable area venues with her stellar backing band The Sincerelys. After a whirlwind fall which included a performance at The Great American Hall and getting married, Phillips reflected on her songwriting process and what's currently feeding her muse.

  

Q: How did you first start singing?  Who are some of your earliest influences?
MP: I remember singing along with the radio pretty early on and being encouraged to "sing louder!" I loved picking out the harmonies. I didn't really start performing until later. Having access to music classes in school was huge for me. I had some great music teachers in junior high and high school who pushed me in a very positive way. I was in chorus, singing ensembles, I did district chorus competitions, musical theater, church choir — all of those things helped me figure out that singing was something I was good at and that I wanted to pursue it in a bigger way.
I grew up on Top 40 radio, that's the soundtrack of my childhood. If it got played on the radio between the 1970s and 1990s, I probably know the words! I loved Whitney Houston and the first tape I ever bought was "I Wanna Dance With Somebody". When I was 11 or 12 she was just it for me. But I grew up in small towns and you don't get a lot of variety on small town radio. I don't think I really had any idea what was out there until I went to college and I was exposed to what my friends were listening to. We used to sit around the dorm rooms with our CDs and a stack of cassettes and we'd make mix tapes. I still have those mixes and they have some really good music on them. It was the first time I heard Paul Simon, Crowded House, Van Morrison, [and] Indigo Girls. I really think that time spent making those tapes was more valuable than some of the music courses I took because it really helped me develop my own opinion about what I liked and ultimately, what I wanted to do.

Q How did you make your way to California from Oregon and have the different places you've lived influenced your work? 
MP: I did move to California from Oregon (I lived there for a few years in my early twenties) but I actually grew up all over the place. I had a sort of unconventional nomadic upbringing, we moved around a lot. I got to see so much of the country from the back seat of a car as a kid. I didn't start writing my own music until I was much older but I do think being able to experience that kind of a life as a young person informed how I see the world. It gave me a good awareness of how other people live, which is definitely something I find important, not just for writing, but also for being a human.

Q  Do you keep to a writing schedule or do you write as inspiration strikes? Words first or do you write to the music? 
MP: I get ideas in bits and pieces. Mostly lyrics first but sometimes they come with a melody. On any given day, my bag is full of post-it notes scribbled with lyric ideas. I carry a notebook to write stuff down and if I come up with a melody I record it into my phone. I don't have a writing schedule but I do sit down frequently with my ideas and see what I can wrestle into shape. Sometimes it comes fast and easy, but more often than not it is a slow process for me. I try not to rush, I'm not in a race. Songs will be done when they're ready. I just finished a song that I started back in 2010! I kept going back to it and I tried for a long time to force it into being done, but it wasn't ever quite right. I stepped away for a while and came back with fresh eyes and finally knew when I'd figured it out.

Q  Any current listening or reading obsessions feeding your muse? 
MP: I am in the middle of a lot of books right now, my goal is to read 38 over the next year! Here is what I currently have a bookmark in: "Where I Was From" by Joan Didion, she's a favorite, especially her non-fiction. I'm reading a book of short stories by Alice Munro, a memoir by Mary Karr, and a biography of Dorthea Lang. As for music, I have these in heavy rotation right now in my car: Rosanne Cash - The River and the Thread; John Hiatt - Dirty Jeans & Mudslide Hymns; Holly Williams - The Highway. I also really like the newest Tom Petty and Ryan Adams albums. As far as other obsessions, I am pretty addicted to Instagram. It's a nice community of supportive, creative people sharing interesting images of their daily lives — crafters, photographers, musicians, writers. Sometimes looking at beautiful stuff is what I need to simultaneously calm and stimulate my brain after a work day. Just seeing someone else do something creative can motivate me to do the same.

Q What can listeners expect in the next six months? Any big shows or new recordings?
 MP: I'm on a little hiatus from performing right now so I'm focusing on writing. I hope to go back into the studio next year with a batch of new songs. I'd also like to do some regional touring again and definitely get back on stage with the full band.

Artist Interview: Annie Bacon's Pounding Corps

When I think of artists who exemplify The Bay Area's creative culture, I think of people like Annie Bacon. Highly original, filled with integrity and continually questing, the SF-dwelling singer/songwriter/composer/bandleader and mother has several EPs and a full-length CD with annie bacon and her oshen, as well as a highly acclaimed musical suite, The Folk Opera, to her name.  She's also sung and played on a slew of other artist's recordings and projects (Corinne West, Savannah Jo Lack), and just received an Arts Incubator award from Intersection for the Arts for her next creation. I recently caught up with her as she prepared for a benefit performance she's doing for The Liberation Institute Urban Retreat Center, Sunday, October 26, in San Francisco.

Q When did you first embrace songwriting? Who was a big early influence on your becoming an artist and who or what is fueling your muse currently?

AB: Before December of 2007, I'd definitely written songs, but I never considered myself a songwriter. I was content to play other people's music. That was the month, however, when I got Garageband, which changed everything. Suddenly I could sketch out concepts of songs across multiple tracks, and it was like a floodgate had been opened. Within a few weeks I knew that this was what I was supposed to be when I grew up. Pink Floyd and whatever was playing on the soft rock station in the late 80s ... those were my early influences. Music that was emotional. Right now I'm dealing with an Alt-J infatuation, a British art-band that does everything I love: harmonies, highly literate lyrics, dirty-grimy bass drops, ear-worming melodies, and arrangements that keep you on your toes. A few songs of theirs I love: "Fitzpleasure"and "Ripe &Ruin."

Q Tell us about the new EP and the 'community effort' it's entailed? 

AB: The new EP, which I haven't yet named, is a collection of ukulele songs that I've written across five or six years, but which never quite fit on any other release.  2012-13 were hard years for me and my family. Without going into it, I'll say that I was creatively paralyzed coming out of it and having trouble getting re-started. A kind friend set me in motion with a gentle nudge, another friend stepped forward to engineer it, and others threw down their massive talent as the OSHEN. And still other friends have offered ears, insights, and hours of talking them through. It's one of those projects that has happened for me, not because of me, which is a sweet and humbling relief. I feel really blessed by my community.

Q You just were just awarded an Arts Incubator by Intersection for the Arts. What does that mean for your work and will you build upon The Folk Opera or drum up something else altogether?

AB: Yes! This is really exciting for me. There's another project altogether that inspired me reaching out to them for support. It's a project that needs to happen within a certain framework, and to be honest I don't even know what exactly it is going to be yet, only that I'm supposed to set out to do it. I'm being necessarily vague, you'll forgive that I hope. But I do also see the potential for the IFTA sponsorship as a platform for finding the Folk Opera's next life, which is on stage. Maybe I'll find funding to get the incredible Alphabet Arts puppet production of the piece out here from Brooklyn.

Q You're doing a benefit performance for The Liberation Institute. Tell us about their work in the Bay Area (and any more details about the show) and how it's important to you.

AB: The Liberation Institute is an organization dear to my heart. I sit on their Board of Directors and am consistently amazed and impressed by how much they do with so little. Their community-mental-health model means that absolutely anyone can access their services. As an artist, I know how often I and other artists need support, but feel limited by finances, so this accessibility is a key part of what I love about them.

The show is to raise funds for their services for children, teens and families. As a mama myself now, I also have deep empathy for how necessary therapy can be in the process of both being and raising a child! Holy moly. The show will be kid-friendly, with those under 12 free to enter and the show happening from 3-5p. (After nap before dinner!) It's going to be an intimate show with only about 30 tickets available for purchase. Since it's a fundraiser we're asking $25-50/ticket, fully tax-deductible since Libi is a 501(c)3 non-profit. I'll play the Folk Opera, followed by a set of ukulele songs from the EP.  

Details: Music Is Love: An afternoon with Annie Bacon, Sunday October 26th, 3pm-5pm at the Liberation Institute's Urban Retreat Center, 1227-A Folsom Street at 8th, San Francisco. $25-50 tax-deductible donation suggested, kids 12 and under are free! Tickets available via www.anniebacon.me

Red Meat, Run Boy Run, David Jacobs-Strain to Perform at FAR-West Music Conference Venues' Choice Concert, Thursday, Oct 16, 2014

Thursday, October 16, 2014 at 7:00 P.M.
Oakland Marriott

On Thursday evening, October 16, FAR-West will kick off its 11th annual conference with the Venues’ Choice concert. Five venues from around the region, dedicated to presenting acoustic music year-round, will each present an artist(s) of their choice. FAR-West's opening night 'kick-off' concerts are always one of the highlights of our conferences and we anticipate another great night!

Limited tickets ($15) are available for public purchase at the FAR-West Brown Paper Tickets site.

Folk Alliance Region West (FAR-West) is the western region of Folk Alliance International including Alaska, Alberta, British Columbia, California, Hawaii, Idaho, Montana, Nevada, Northwest Territory, Oregon, Washington, Wyoming and Yukon Territory.

FAR-West fosters and promotes traditional, contemporary and multicultural folk music, dance and related performing arts in the Western United States and Canada.

FAR-West supports this mission through its annual conference each fall, one of five regional Folk Alliance Conferences. The annual FAR-West conference provides a three-day, music-filled weekend for the folk and acoustic music community to unite, exchange songs and ideas, re-charge and do business.